ShowBusinessMan [Search results for street art

  • 2nd Annual StreetART Toronto Hoping For More Large Scale Projects

    2nd Annual StreetART Toronto Hoping For More Large Scale Projects

    Whether you look to the 80-foot-long mosaic at the Jack Layton Ferry Terminal, the giant white wording ‘You’ve Changed’ on the side of a building near Queen Street West and Ossington Avenue or the Greenwood Village Mural in the Beach, Lilie Zendel said the first year of StreetARToronto (StART) accomplished exactly what the program set out to do.

    “(StART) was created last year as part of the graffiti management program to support and celebrate permitted graffiti and street art,” said Zendel, manager of the City of Toronto program.

    StART is administered by the Public Realm Section of the Transportation Services Division at the City of Toronto and aims to develop, support, promote and increase awareness of street art and its role in adding beauty and character to neighbourhoods across Toronto.

    StART hosted a meeting at MOCCA in West Queen West on Jan. 21 to wrap up their inaugural year and share details of this year’s program.
    In 2012 StART partnered with 20 Toronto organizations to create 48 murals across the city, on walls, fences, underpasses, benches and pavement, particularly in areas that are targeted by graffiti.

    The creation of these murals assisted in cleaning up 1,300 pieces of ‘tagging’. More than 60 artists were involved in the projects.

    The challenges that program participants faced in the first year, Zendel said, was finding the funds to match StART grants, which is a criteria of the program, finding walls to use in the city, and managing complaints from building owners, artists, non-profits and Business Improvement Areas.

    The other big issue is maintaining the murals and preventing vandalism. “We certainly want to expand as much as we can in a geographic sense,” Zendel said. In 2013 StART will continue with its Partnership Program and its Diversion Program, which involves at-risk youth. Although StART aims to support artists it does not fund artists directly, but funds projects through organizations.
    Applications for murals to be painted this year are due by April 15 and they can be made through the StART website at http://www.toronto.ca/streetart/
    Applications have to be made by incorporated non-profit or charitable organizations and must operate in Toronto.

    “I personally would like to see some really large-scale projects this year,” Zendel said, adding the maximum funding for the partnership program has been increased to $30,000.

    The StART contribution cannot exceed 70 per cent of the cost of the mural and of that remaining 30 per cent the partner organization must raise at least 15 per cent in cash.

    By the spring of 2013 Zendel said they hope to launch a user-friendly map, which gives the details of the 585 murals and street art pieces found in Toronto. The map would include information about the artists and their inspiration for the work.

    Story by Erin Hatfield via: York Guardian To learn more about the City of Toronto program that aims to beautify communities across the city through street art and wall murals visit http://www.facebook.com/StreetARToronto

  • 9 New York City Street Inspired Watch Designs by Hudson River

    9 New York City Street Inspired Watch Designs by Hudson River

    Meet Robert Willis of The Hudson River Watch Co. and his New York City street inspired collection of wrist watches. The collection includes: Berry Street, Cranberry Street, Milligan Place, Charlton Street, Fulton Street, Sutton Place, Delancey Street, and Front Street in Silver and Black designs.

    Robert explains his inspiration for starting Hudson River via KickStarter:

    This project really started about a year and a half ago when my wife and I noticed it was very difficult to find great-looking, high quality men’s watches for under $500. We found ourselves talking about watches a lot, and pretty soon we started designing our own for fun. With my longtime interest in collecting watches, and my wife’s degree in studio art, we have come up with some really unique designs that we are excited to share.

    We started by sketching our ideas and then applied our experience with graphic design to develop illustrations.

    "Fulton Street"

    "Sutton Place"
    All nine of the watches from the collection below.

    To date they have raised over $93K on Kickstarter, see more in the campaign video below.

    Images via: Kickstarter
    Hudson River Watch Co. by Robert Willis website link HERE.

  • Reebok CrossFit Guinness World Record Laregst 3D Street Art

    Reebok CrossFit Guinness World Record Laregst 3D Street Art

    Reebok CrossFit, a revolutionary strength and conditioning programme, teamed up with artists 3D Joe and Max to break the Guinness World Record for the largest ever 3D street art. The painting measured an impressive 1,160.4m² and was unveiled at London's West India Quays, Canary Wharf. Here the public were invited to take part in a Reebok CrossFit WOD (workout of the day) on the spectacular artwork.

  • "Scorched" 2013 Subaru BRZ TV Spot

    "Scorched" 2013 Subaru BRZ TV Spot

    The highly anticipated 2013 Subaru BRZ rear-wheel-drive sports coupe makes its debut in Canada with the launch of a new campaign ‘Scorched,’ and car aficionados and passionate drivers will agree, car porn has never looked so good.

    Developed by DDB Canada’s Toronto office, the national campaign features a 60-second online film, ‘Scorched,’ shot with Phantom camera technology, creating extreme slow-motion shots. The suspenseful story unfolds inside a garage where an unknown source of heat melts everything in its path. Amplified by a dubstep track, “Execute” by Excision, the final shot reveals the heat source to be the Subaru BRZ emerging out of a drift, demonstrating that the BRZ handles as incredibly as it looks.

    “The Subaru BRZ is a hot car, with a great deal of excitement already surrounding its release,” says Todd Mackie, creative director, DDB Canada. “We wanted to create a visual story to mirror that anticipation while captivating both existing fans and reaching new ones.”

    Print, online, ambient, social media, public relations and targeted blogger outreach round out the campaign; each highlighting the sizzling sports coupe. Selectmedia and bloggers also got the opportunity to feed their gear head inside by attending the ‘Scorched’ shoot, to get a rare, behind-the-scenes peek at the Subaru BRZ in action.

    “This is Subaru’s first rear-wheel drive sports coupe and with limited quantities available in Canada this year, it’s the most highly anticipated launch in the category,” says Geoff Craig, director of marketing, Subaru Canada. “We challenged DDB to accelerate the buzz and launch the BRZ with creative that’s just as hot as the car.”

    A hologram lenticular in The Grid and attention-grabbing creative in national newspapers and magazines reveals the BRZ burning through the pages. Similarly, online advertising burns up computer screens and tablets to unveil the hot new sports car.

    The Subaru BRZ turned heads at the 2012 Montreal Grand Prix (June 8-10), with an ambient street-art installation produced by DDB Public Relations. The BRZ was showcased as part of an eye-popping, movie-style set featuring a burnt mailbox, singed bike rack, melted street lamp and a massive 32’ heat-blasted brick wall. The result was a surreal replica of a Montreal street corner that appeared to have been utterly “scorched” by the hot new sports car.

    To enhance the installation DDB Public Relations engagedCanadian NFC tech firm, TAPmeTAGS Inc. to provide NFC enabled tags as part of a test-pilot program to encourage consumer interaction onsite. Singed wild postings surrounding the installation encouraged passersby to “tap or snap” using their NFC phones. This directed consumers to a dedicated BRZ landing page where they could learn more about the vehicle, view images and book a test drive.

    The Montreal ambient installation is the first of a series, with more coming to major cities across Canada this summer.

    Credits:
    Advertising Agency: DDB, Toronto, Canada
    Creative Directors: Denise Rossetto, Todd Mackie
    Associate Creative Directors: Paul Riss, Adam Bailey
    Copywriter: Adam Bailey
    Art Director: Paul Riss
    Agency Producer: Ken Rodger
    Account Team: Michael Davidson, Peter Brough, Julia Morris
    Media Company: OMD
    Production Company: Radke
    Director: Common Good
    Common Good Creative Directors: Eric Makila, Jamie Webster, Jordan Clarke
    Executive Producers Common Good: Marie-Pierre Touré, Stefanie Kouverianos
    Executive Producer Radke: Miriana DiQuinzio
    Line Producer:Dwight Phipps
    Director of Photography:Chris Mably
    Editorial: Ross Birchall, Bijou Editorial
    VFX: Common Good
    VFX Supervisor: Alex Avram
    Post-Production: Alter Ego
    Colourist: Erin Whipp / Alter Ego
    Online Editor: Darren Achim
    Music: “Execute” by Excision

  • Proximity Creates Online Test Flight For Air Hogs New Sky Stunt Using Google Street View

    Proximity Creates Online Test Flight For Air Hogs New Sky Stunt Using Google Street View

    Air Hogs is taking its remote controlled planes and helicopters to new digital heights with Google Street View in a campaign by Proximity and Spin Master. Aviation enthusiasts have the opportunity to fly a virtual plane in Google Street View — above their home, school, or any other location they choose. When they have completed training, they can stunt around the Globe and earn their virtual pilot's license. “As the leading brand in RC, Air Hogs has always been an early adopter of technology, both in our products and our marketing. We’re excited about our latest digital marketing initiative which will allow people to fly the Sky Stunt RC plane virtually anywhere in the world –in front of a world famous landmark or in their own neighbourhood,” said the Director of Marketing, Shawn Chance. The campaign is also supported with online media and ambient posters that drive to the website experience.
    Air Hog enthusiasts can check out the Sky Stunt at: http://www.airhogs.com/

    Credits:
    Title: Stunt Around the Globe
    Client: Air Hogs
    Agency: Proximity Canada
    Creative Directors: Josh Stein, Rene Rouleau, Scott Pinkney
    Director Creative Technology: Jeff Vermeersch
    Senior Flash Developer: William Lee
    Senior Art Director: Graham Ameron
    Art Director: Bryan Howarth
    Writer: Shiran Teitelbaum
    Group Account Director: Priyanka Goswami
    Account Director: Mark Christie
    Account Supervisor: Brian McLachlan
    Account Executive: Mike Spilchuk
    Producer: Gillian Largey
    Sound Design: Resolve Audio
    3D: Symbolic Pictures

  • Toyota iQ Finds the Tightest Streets for Google Street View

    Toyota iQ Finds the Tightest Streets for Google Street View

    Belgium has many small, narrow streets, Google Street View, which launched there last year, was never able to capture all of its nooks and crannies. To solve the problem, Happiness Brussels and Toyota Belgium created iQ Street View," to promote the small, nimble car, as well as give Google a hand in the process. The iQ was fitted out with a 360-degree camera, with all the equipment needed to capture the data stored inside the car — another opportunity to show off how spacious it is. People are asked to tag the streets that Google did not manage to film on the site The car will then drive along those streets, capturing the data, which will be handed over to Google at the end of the year. Those living in the tagged streets — the narrowest roads of Belgium — will be directly targeted with an offer for the iQ.

    Credits:
    Agency: Happiness Brussels
    Client: Toyota
    Creative: Peter Ampe
    Creative: Isabel Peeters
    Concept: Patrick Glorieux
    Concept: Naim Baddich
    Head of Art: Cecilia Azcarate Isturiz
    Copywriter: Patrick Glorieux
    Art Director: Naim Baddich
    Graphic Design: Jeremy Vandenbosch
    Producer: Bart Vande Maele
    Director: Bob Jeusette
    Engineer: Jan Martin Mantkowski
    Website: Bliss Interactive
    Digital Media: Red Works
    via: Creativity Online

  • Fuzz Wax Bar Brings ‘Street Waxing’ to Toronto

    Fuzz Wax Bar Brings ‘Street Waxing’ to Toronto

    Smoother skin prevailed last week as Fuzz Wax Bar brought ‘Street Waxing’ to Toronto. And the project, developed by Fuzz’ partner agency Lowe Roche, is fast becoming one of the most talked about stunts of the summer.

    The Fuzz Wax Bar team wanted to show weekend festivalgoers that waxing is worth it. Onlookers were invited to tear a wax-strip off a male model, covered entirely in wax-coated strips. As more and more people pulled wax-strips from his body, he was left hairless – and completely ‘exposed’ – in the Toronto streets.

    Jessica Frampton and Florence Gavin, co-owners of Fuzz Wax Bar have found the response so far to be nothing short of extraordinary.

    “The crowd reaction on the day, and the attention we’ve received since it happened have been amazing,” said Frampton. “As Toronto’s original wax bar, we’re always looking for new ways to generate awareness, and so we were thrilled with this innovative idea which we knew from the outset would literally stop traffic.”

    Hundreds took part on the day, as thousands of others looked on.

    Of course, the ultimate objective for the stunt was to drive traffic to Fuzz, and to do so, the wax-strips were designed to be the incentive: acting as removable discount coupons for participants to use for their next wax at Fuzz – and also as a hairy reminder of the weekend festivities. The wax-strips themselves served as another messaging touch-point for the stunt – they were each inscribed with funny phrases, like “We’ll take the monkey off your back” and “You’ll walk a little differently, along with the tagline “So good, it hurts”.

    “We knew we needed something revolutionary to get our name out beyond our already loyal customers, and our partners at Lowe Roche certainly helped us deliver that,” said Gaven.

    Credits:
    Project: Street Waxing
    Client: Fuzz Wax Bar
    Agency: Lowe Roche
    Executive Creative Director: Sean Ohlenkamp
    Copywriter: Jeremy Richard, Eli Joseph
    Art director: Ryan Speziale, Kunaal Jagtianey
    Producer: Shannon Farrell
    Make-up: Alyssa McCarthy
    Account Director: Frederic Morin
    Director: Dean Vargas
    Post Production: Motion Pantry

  • NBA Finals — Forever Kobe Commercial

    NBA Finals — Forever Kobe Commercial

    In this last NBA Finals 2013 commercial, Forever Kobe, we are mesmerized by Lakers megastar Kobe Bryant's incredible slam dunk in the 2002 Finals against the Nets. Kobe remains suspended in air, which triggers a number of iconic pop-culture moments transcending in various way — from street art to a video game avatar, to a wedding cake topper, representing the impact the NBA Finals has on the world. We arrive back to the arena to find Kobe still suspended in his heroic moment symbolizing, "Forever is BIG."

    Credits:
    Music by multi-Grammy Award winning hip-hop artist Mos Def, "Life in Marvelous Times."
    Creative Ad Agency: Agency: Goodby Silverstein & Partners

  • Street Artist INSA Creates Outdoor Live Event for Ketel One Vodka

    Street Artist INSA Creates Outdoor Live Event for Ketel One Vodka

    Ketel One Vodka is launching a unique outdoor live event, by 180 Amsterdam, featuring the world’s only ‘GIF-iti’ artist as part of its international “Do One Thing Well” campaign.

    Celebrated British street artist INSA, who creates art in public spaces that is brought to life online, is painting intricate murals in an event space in Amsterdam’s arts district, Roest.

    INSA meticulously paints and repaints his images on a wall by hand and photographs each version. The images are then played in sequence online as an animated GIF, in a process he has dubbed “GIF-iti”.

    When INSA’s Ketel One animated GIF-iti is complete, it will be projected on screen at a launch party in a bar at the event space on March 22nd. Then the animated work will then be seeded globally online, alongside a making-of film.

    Ketel One chose INSA for the campaign because, it says, like the Diageo-owned vodka brand, INSA “has a bold vision and a history of not doing things by the book”.

    Al Moseley, Executive Creative Director at 180 Amsterdam added: “INSA's work epitomizes the 'Do One Thing Well' philosophy. And this project is unique in pushing the boundaries between an event, outdoor and digital.”

    To view the GIF-iti come alive digitally as an animated GIF, go to: https://www.themoderncraftproject.com/en-us/latest
    Ketel One’s “Do One Thing Well” campaign, which first launched last year, celebrates the passion and skill required to achieve success.
    The brand is committed to honouring modern craftsmen who bring traditional skills into the 21st century and push their work further.

    Credits:
    Creative Agency: 180 AMSTERDAM
    Executive Creative Director: Al Moseley
    Creative Director: –Galen Graham
    Art Director: –Ben Bartels
    Copywriter: –Joe Craig
    Account Director: –Andrew Smith
    Agency Producer: –Pam Prior

  • New Madden NFL 15 AD "Madden Season"

    New Madden NFL 15 AD "Madden Season"

    EA's new three-and-a-half-minute ad/promo spot starring Kevin Hart and Dave Franco. Featuring Conway. Rejoice, it's Madden Season. Don’t ask why.

    Credits:
    Ad Agency: Heat
    Executive Creative Director: Steve Stone
    Creative Director/Copywriter: Warren Cockrel
    Creative Director/Art Director: Anna Rowland
    Senior Writer: Ryan Hartsfield
    Senior Art Director: Jeff Fang
    Executive Content Producer: Brian Coate
    Content Producer: Jonathan Matthews
    Client: Electronic Arts
    VP, Advertising and Design: Dana Marineau
    Director of Global Creative Strategy: Dustin Shekell
    Advertising Manager: Scott Crissman
    Production Company: Hungry Man
    Executive Producer: Mino Jarjoura
    Director: Wayne McClammy
    Director of Photography: Bryan Newman
    Line Producer: Nate Young
    Editorial Company: Arcade
    Managing Partner: Damian Stevens
    Executive Producer: Nicole Visram
    Producer: Cristina Matraica
    Editor: Christjan Jordan
    Assistant Editor: Connie Chuang
    Music Composition: Beacon Street Studios
    Vocal Performer: Conway
    Executive Producer: Adrea Lavezzoli
    Mixer: Mike Franklin
    Assistant Mixer: Dewey Thomas
    Producer: Kate Vadnais
    Visual Effects/Conform: The Mill
    Senior Executive Producer: Sue Troyan
    Producer: Jordan Sharon
    Production Coordinator: Kris Drenzek
    Shoot Supervisors: John Leonti and John Shirley
    Creative Director: John Leonti
    Lead 2D: John Shirley
    Lead 3D: Tom Graham
    Colorist: Adam Scott
    2D Artists: Nick Tayler, Brad Scott, Scott Wilson, Adam Matis, Jake Albers, Robin McGloin, Tim Robbins 3D Artists: Kenzie Chen, Chris Goodrich, Bridget Warrington, Yorie Kumalasari, Krystal Sae Eua, Jesse Flores, James Ma, Blake Sullivan, Katie Yancey, Jonah Austin, Tyler Mele Design: Justin Demetrician
    Graphics/Animation: Cinco Design
    CD: David Cipriano
    Producer: Wendy Bryant
    Motion/Animation: Russell Hirtzel and Carlos Maya

  • London Street Graffiti Is Spell Checked by Online Tutor Firm

    London Street Graffiti Is Spell Checked by Online Tutor Firm

    Brand activation agency Arc London has created a campaign that sees London's graffiti get a spellcheck, in aid of tuition service The Tutor Crowd.

    Spelling and grammatical mistakes in graffiti around London have inspired a new tongue-in-cheek campaign by Arc, a division of the Leo Burnett Group, for the online English tuition service The Tutor Crowd.

    The campaign shows the offending graffiti on walls, toilet doors and public areas around London corrected with paint pens and stickers.The stickers direct children and their parents to The Tutor Crowd’s online service for a free English tuition trial.

    As well as highlighting the need for English tuition, the work aims to debunk the myth that it’s stuffy, old-fashioned and expensive, repositioning it as online and available from expert tutors anytime and anywhere.

    The campaign, called “Take The Classroom To The Streets”, is running outdoor across London, in areas including Shoreditch, Old Street, Brick Lane, South Bank and Camden and will appear online at thetutorcrowd.tumblr.com
    The work, which breaks online this week, and was written and art directed by Dan Kennard and Ben Smith.

    Patrick Wilson, founder of The Tutor Crowd, said: “Good spelling and grammar is fundamentally important to young people. But teaching it doesn’t have to be old fashioned and stuffy. We wanted to engage parents and young people alike, and make them realise that online tuition is an option that’s available to try.”

    Beri Cheetham, Executive Creative Director at Arc said: “To change the traditional perception of English tuition, we needed a non-traditional approach. It’s tongue-in-cheek, free and makes people smile. But most importantly, we hope it helps young people engage in grammar and spelling and get support they need.”

  • Sealy "Supporting Whatever You Do In Bed"

    Sealy "Supporting Whatever You Do In Bed"

    Mattress commercials aren’t typically known in ad land for being creative hotbeds, but an upstart Los Angeles-based agency has changed all that with a cheeky television campaign for mattress giant Sealy, Inc.

    Last December, Arcana Academy opened with the North Carolina-based brand as its founding client and the following brief: launch the Optimum memory foam version of Sealy’s famous Posturepedic mattress, a product designed to compete with specialty mattress maker Tempur-Pedic.

    So, the agency conceived several playful TV spots to remind viewers that mattresses are made for more than just sleeping. The tagline: “It’s better on springs. Whatever you do in bed, Sealy supports it.”

    The campaign’s latest spots brim with simplicity and innuendo. In “Tester,” the camera zooms in on an actual, rump-shaped mattress tester as plunges down into a bed as coquettish French music extolling the product features plays on the soundtrack.

    Similarly, “Good Neighbors” suggests much without showing anything. In the ad, mysterious noises emanating from the abode of an unseen owner of a Sealy Posturpedic begins attract several curious and irritated neighbors. What’s actually happening is never shown, so any inferences are entirely the viewers’ own.

    Since Arcana Academy began working for Sealy, Optimum mattress sales have gone up. Tempur-Pedic’s stock price, meanwhile, dropped to nearly 1/3 of its value despite outspending its competitor by more than $150 million. Then, in a classic if-you-can't-beat-'em-join-'em move, Tempur-Pedic bought Sealy, Inc, forming the largest mattress consortium in the world.

    Created by Arcana Academy founders and award-winning creatives Shane Hutton (ex-Modernista!) and Lee Walters (ex-Arnold Worldwide), the campaign has breathed new life into a sleepy category and attracted a more youthful, vibrant audience to the brand.

    The agency is housed in a converted Victorian mansion in Los Angeles. Its offices’ Baroque interiors pay homage to its mysterious name: ‘school of secrets.’ The walls are adorned with gold leaf, esoteric antiques, strange artwork and of course, advertising trophies but underneath it all is a team that aims to give consumers a fresh perspective on familiar products.

    “We started Arcana Academy because a window of opportunity had opened — the kind of window that, if it were ever to close, you would spend the rest of your life saying, ‘what would have happened had I jumped through?’ says Walters. “So we did.”

    “We have no illusions about taking over the world,” adds Hutton. “We want to stay small, offer our clients highly personalized service and continue to give them more, for less, faster. If that sounds suspiciously like a promise of turning lead into gold, well, it is.”

    Credits:
    Title: Good Neighbors
    Client: Sealy Inc.
    Agency: Arcana Academy
    Creative Director/Writer: Shane Hutton
    Creative Director/Art Director: Lee Walters
    Agency Producer: Charles Wolford
    Director: Arni & Kinski
    Production Company: aWHITELABELproduct
    Executive Producer: Annique De Caestecker, Ellen Jacobson-Clarke, Oliver Hicks
    Post Production: Cindy Chapman, Les Sorrentino, Gizmo Rivera
    Editor: The Whitehouse, Los Angeles — Heidi Black
    Music: The Lodge

    Title: Tester
    Client: Sealy Inc.
    Agency: Arcana Academy
    Creative Director/Writer: Shane Hutton
    Creative Director/Art Director: Lee Walters
    Agency Producer: Timmi Goldstein
    Director:
 Blind/Greg Gunn
    Production Company:
 Blind
    Executive Producer:
 David Kleinman
    Post Producer:
 S. Tobin Kirk
    Editor:
 Justine Gerenstein
    Music:
 Beacon Street Studios

  • Cadbury Dairy Milk "Pinata" TV Ad

    Cadbury Dairy Milk "Pinata" TV Ad

    For all you Cadbury Dairy Milk chocolate lovers comes a great new commercial entitled "Pinata" and oh ya there is a giant pinata in this one. The ad from Ogilvy & Mather, Toronto and production company Holiday Films introduces two new Cadbury Dairy Milk flavours: Cookie Crunch and Salty Caramelized Peanut by staging a giant pinata on a busy city street. Eager stick swingers attempt to bang it open, after a few attempts the pinata splits open dumping thousands of chocolate bars onto the street where a crowd of Cadbury lovers dives in...Welcome to Joyville.

    Credits:
    Client: Cadbury Canada
    Brand: Dairy Milk
    Title: Pinata

    Creative Agency: Ogilvy & Mather Toronto

    Chief Creative Officer: Ian MacKellar

    Group Creative Director/Art Director: Todd Cornelius

    Group Creative Director/Copywriter: Jamie Marcovitch

    Account Supervisor: Daniel Koppenol 

    Agency Producer: Dena Thompson

    Production Company: Holiday Films, Toronto

    Production Service Company: The Big Picture Company, Cape Town
    Director: Greg Brunkalla

    Executive Producers: Josefina Nadurata, Derek Sewell

    Line Producer: Josefina Nadurata
 and Kirsten Bowman
    Director of Photography: Michael Cleary

    Editorial: Bijou Editorial

    Editor: Ross Birchall
    Editorial Executive Producer: Stephanie Hickman
    Original Music: Central Services/The Office by Michael Kamen
    Sound Design and Mixing: RMW
    Colour Grading: Alter Ego

    Colourist: Eric Whipp

  • Google Maps Rolls a Ball Through Cube City in a Video Ad Spot

    Google Maps Rolls a Ball Through Cube City in a Video Ad Spot

    Venables Bell & Partners promotes Google and its host of services by re-imagining the classic labyrinth game as a handcrafted, real life version of Google Maps. Built by VB&P and 1st Ave Machine, the video shows two players navigating a little blue ball through an elaborate city scape — as it checks in to places, rates businesses and then finally finds its way to its destination.

    Credits:
    Agency: Venables Bell + Partners
    Client: Google Maps
    ECD: Paul Venables
    ECD: Will McGinness
    Creative Director: Paul Foulkes
    Art Direction: Byron Del Rosario
    Copywriter: Kelly Diaz
    Dir. of Integrated Production: Craig Allen
    Agency Producer: Zeynep Taslica
    Prod. Co.: 1st Ave Machine
    Director: Bob Partington
    Director: Aaron Duffy
    DOP: Will Rexer
    Exec. Producer: Mikha Grumet
    Exec. Producer: Sam Penfield
    Producer: Rachel Watanabe-Batton
    Editing: Hooligan Filmworks
    Editor: Peter Mostert
    Sound Design: Beacon Street
    Sound Design: Paul Hurtubise
    Music/Mix: Beacon Street
    via: Creativity Online

  • Diesel + EDUN Fashion Film For Vice Magazine

    Diesel + EDUN Fashion Film For Vice Magazine

    Pantsula vs. Puppets is Sean Metelerkamp’s first job since joining Cape Town production company Fly On The Wall. Sean shot this Diesel + EDUN fashion film for Vice Magazine in Soweto, that features The Real Action Dance Crew and the soundtrack is Ndekha, by The Very Best & Moroka.

    Sean directed the original Die Antwoord music video, Zef Side, which has just under 14 million views on YouTube; won a D&AD Yellow Pencil for Best Music Video; and won The YouTube Play competition. Since then, Sean’s exhibited at The Guggenheim museums in New York, Bilbao, Venice and Berlin; had art residencies in New York; signed to agencies in London, Los Angeles and Paris; and been profiled in Playboy and Shots.

    His recent photographic work includes documenting Monte Rosa old-age home and Noupoort rehabilitation centre, as well as Skeef Reënboog, shot across South Africa on borrowed and disposable film cameras. Sean’s also been recording street melodies from homeless people in Cape Town, New York and London.

    “I love and respect Sean’s work,” says fellow director Bryan Little, who co-founded Fly On The Wall in 2004 with producer Filipa Domingues and cinematographer Grant Appleton. “He has always been a friend and someone who shared space and philosophies with us. He makes interesting, relevant work that blows people’s minds.”

    Credits:
    Client: Diesel
    Creative Ad Agency: Vice
    Director: Sean Metelerkamp — His Reel
    Producer: Filipa Domingues
    Art Director: Latisha Duarte
    Agency Producers: Posy Dixon / Jacqui Kavanagh
    Song: Ndekha by The Very Best & Moroka

  • EA SPORTS NCAA Football 13 TV Spots

    EA SPORTS NCAA Football 13 TV Spots

    The latest ad campaign from San Francisco-based Heat for EA Sports NCAA Football 13.
    The campaign is directed by Moxie Pictures' Martin Granger, campaign consists of three commercials: Son, Tiger, and Wrong
    "Son"

    Now you can put a Heisman legend on any team you want. Just don't be surprised when your Buckeye dad doesn't like seeing a Michigan alum on his team. NCAA Football 13.

    "Tiger"

    How far would you go for the Heisman? Mike the Tiger puts RG3 on LSU, only to find out Les Miles isn't so pumped about it.

    "Wrong"

    Now you can put a Heisman legend on any team you want. But when that team is Georgia and that legend is Tim Tebow, well that's just wrong. Right?

    Credits:
    Client: Electronic Arts
    Product: NCAA Football 13
    Spot Titles: “Son”, “Tiger”, “Wrong”

    Agency: Heat
    Chairman/Executive Creative Director: Steve Stone
    Creative Director/Copywriter: Warren Cockrel
    Associate Creative Director/Art Director: Anna Rowland
    Senior Copywriter: Ben Salsky
    Senior Art Director: Mark Potoka
    Executive Content Producer: Brian Coate
    Content Producer: Jonathan Matthews
    Director of Account Services: Aaron Lang
    Account Director: Eddie Garabedian
    Business Affairs Manager: Russ Nadler

    Production Company: Moxie Pictures, New York
    Director: Martin Granger
    Director of Photography: Alar Kivilo
    Executive Producer: Karol Zeno
    Line Producer: Heidi Soltesz
    Production Designer: Ken Averill

    Editorial: Arcade Edit
    Editor: Greg Scruton
    Managing Partner Damian Stevens
    Executive Producer: Deanne Mehling
    Post Producer: Denice Hutton
    Assistant: Dean Miyahira

    Telecine: Co3
    Producer: Denise Brown
    Colorist: Dave Hussey

    Online & VFX: Chris Homel, Airship Post
    Producer: Terry O’ Gara

    Mix: One Union Recording, San Francisco
    Engineer: Joel Raabe

    Music Composition & Sound Design: Beacon Street Studios, Venice
    Composer: Andrew Feltenstein & John Nau
    Sound Engineer: Paul Hurtubise

  • NHL 13 "This Is Our Game" Extended Cut Commercial

    NHL 13 "This Is Our Game" Extended Cut Commercial

    With the NHL players strike looming this new commercial "This is Our Game" for the EA Sports NHL 13 game might be the only hockey we'll be getting for awhile. The extended cut above was created by the ad agency Heat, and gives us a awesome look at why fans love the game so much.

    Credits:
    Advertising Agency: Heat, USA
    Executive Creative Director: Steve Stone
    Creative Director: Warren Cockrel
    Associate Creative Director: Anna Rowland
    Senior Art Director: Mark Potoka
    Senior Copywriter: Ben Salsky
    Executive Content Producer: Brian Coate
    Content Producer: Anna Askew
    Assistant Account Manager: Lauren Peck
    TV Production Company: Supply & Demand Integrated
    Director: Josh Taft
    Director of Photography: Don Davis
    Production Designer: John Hammer
    Executive Producer: Kira Carstensen
    Line Producer: Josh Porter
    Editorial Company: Arcade
    Editor: Kim Bica
    Assistant Editor: Kelly Henson
    Executive Producer: Nicole Visram
    Producer: Denice Hutton
    Conform / Visual Effects: Ntropic
    Creative Director: Nathan Robinson
    Flame Artists: Nathan Robinson, Matt Tremaglio, Jesse Boots, MB Emigh Producer: Fawn Fletcher
    Head of Production: Melissa Warhaftig
    Color: Company 3
    Producer: Denise Brown
    Colorist: David Hussey
    Recording Studios: Beacon Street Studios
    Mix / Sound Design Engineer: Paul Hurtubise
    Producers: Caitlin Rocklen, Leslie DiLullo
    Music Composition: Beacon Street Studios
    Sing Title: "Askher"

  • Mercedes-Benz Blur Ambient Stunt

    Mercedes-Benz Blur Ambient Stunt

    To launch the Mercedes-Benz 2012 C-Class Coupe, one was parked in front of a motion blurred wall, sidewalk, and billboard that read: “Looks fast. Even in park. The 450hp 2012 C-Class Coupe.” To complete the motion-blur illusion, real 3D models of a motion blurred fire hydrant, parking sign, and mailbox were created to be part of the street scene.

    Credits:
    Advertised brand: Mercedes-Benz
    Advert title(s): Mercedes-Benz Blur
    Headline and copy text (in English): “Looks fast. Even in park. The 450hp 2012 C-Class Coupe.”
    Advertising Agency: BBDO Toronto, Canada
    Agency website: http://www.bbdo.ca
    SVP Executive Creative Directors: Peter Ignazi, Carlos Moreno
    Art Director: Jonathan Guy
    Copywriter: Frank Macera

    Agency Producer: Kathie Hintsa

    VP, Account Director: Steve Groh
    Account Director: Adam Lang
    Account Supervisor: Diana Nelson
    Photography: Philip Rostron, Instil Productions Inc.
    Production: Philip Rostron, Instil Productions Inc. / Hotsets Film
    Event Company: Newad Inc.
    Client: Mercedes-Benz Canada Inc. / Marc Boderke, VP, Marketing / Jay Owen, National Marketing Communications Manager / William Hart, Classical Marketing Supervisor

  • Official 2012 Honda CR-V Super Bowl Commercial "Matthew's Day Off" Extended Version

    Official 2012 Honda CR-V Super Bowl Commercial "Matthew's Day Off" Extended Version

    To celebrate the launch of the all-new 2012 CR-V, Honda brought Ferris Bueller's Day Off back in a 2012 Super Bowl commercial. They cast Matthew Broderick as himself, skipping out on a day of acting work and living it up in his all-new CR-V. Relive movie history with Honda's fresh twist and wonderful homage to this '80s classic.

    They also hid over two dozen references to the movie throughout the commercial. Some are obvious, some are very subtle. See how many you can find. #dayoff

    Credits:
    Advertising Agency: RPA, USA
    Executive Creative Director: Joe Baratelli
    Group Creative Director: Jason Sperling
    Creative Director: Chuck Blackwell
    Associate Creative Director / Copywriter: Ken Pappanduros
    Art Director: Ariel Shukert
    Copywriter: David Sullivan
    SVP, EP: Gary Paticoff
    Senior Producer: Isadora Chesler
    Director of Business Affairs: Maria Del Homme
    Production Co: Moxie Pictures
    Director: Todd Phillips
    DP: Larry Sher
    Executive Producer: Lizzie Schwartz
    Head of Production: Roger Zorovich
    Line Producer: Salli Zilles
    Production Supervisor: Barry Heaps
    Production Designer: Shepherd Frankel
    Editorial Company: Union Editorial
    Editor: Jim Haygood
    Executive Producer: Michael Raimondi
    Producer: Lynne Mannino
    Asst. Editor: Dylan Firshein
    VFX/Telecine: The Mill
    Managing Director: Ben Hampshire
    Telecine Artist: Adam Scott
    Lead Flame Artist: Andy Bate
    Producer: Enca Kaul
    Music: Beacon Street Studios
    Composers: Andrew Feltenstein, John Nau
    Mixer: Paul Hurtubise
    Executive Producer: Adrea Lavezzoli
    Producer: Caitlin Rocklen

  • Youth Awareness Week "I Shared A Photo" PSA Online Film

    Youth Awareness Week "I Shared A Photo" PSA Online Film

    The 15th Annual STOP the Sexual Exploitation of Children and Youth Awareness Week was held last week in BC, Canada. Children of the Street, a not-for-profit organisation released the "I Shared a Photo", an online film raising awareness of sexual exploitation of teenagers. Held throughout British Columbia from March 11 through 17 to raise awareness to the importance of supporting communities in developing prevention, education, enforcement and intervention strategies to address the sexual exploitation of children and youth.

    Credits:
    Ad Agency: Cossette, Vancouver Canada
    Creative director/copywriter: Michael Milardo
    Art director: Bart Batchelor
    Producer: April Haffenden and Andrea MacFarlane
    Studio artist: Rob Horsman
    Video and photographer: Clinton Hussey
    Editor/sound designer: Chris Nielsen
    Digital brand director: Kate Chalmers