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  • Scion FR-S "Bringing the Sport Back to the Car" TV Commercial

    Scion and global creative agency ATTIK are literally putting the pedal to the metal in the youth-focused automotive brand's national cross-media launch campaign for the all-new, 200hp, rear-wheel drive 2013 Scion FR-S sports coupe. Today, the brand and agency executives are very proud to detail their new "Driving is Back" campaign, which is currently debuting numerous advertising placements across the country. "Scion is extremely excited about the launch of the FR-S," said Jack Hollis, Vice President, Scion. "The rear-wheel drive sports car is the brand's halo car that pound-for-pound and dollar-for-dollar, is igniting the passions of a whole new group of driving enthusiasts.

    Together with our partners at ATTIK, we are absolutely thrilled to kick-off the campaign inviting everyone to rediscover the fun of driving with the FR-S." "In this campaign, the radical new FR-S itself is first and foremost," began ATTIK co-founder and executive creative director Simon Needham. "To us, there are very few exciting cars out there that are also practical on some level… and the FR-S gets great gas mileage while maximizing performance. So naturally, our campaign demonstrates the power and handling of this amazing car – most often in the hands of drifting champ and renowned racing driver Ken Gushi, who drove the car in many of the exciting driving scenes. Across every campaign facet, our overall goals are to excite, inspire, drive people to explore the FR-S online and get them into dealerships and behind the wheel." The "Driving is Back" campaign was conceived by ATTIK's creative director Ron Lim, art director Mike Cornell and copywriter Andy Sciamanna, and its out-of-home elements are now live in 40 locations in 26 major U.S. markets.
    Today, the first of three: 30 spots will break… not only on young adult-targeted cable outlets where viewers are accustomed to seeing Scion ads, but also via NBCU syndication, and on NBC, Fox and every major sports network. First comes "Bringing the Sport Back to the Car," which will begin and end a three-month TV buy. Different campaign spots will appear between June 25 and August 5, and more video ads (all commercials and videos were directed by Needham) will run on the brand's social media channels and website well into September. In print, the first spreads will begin to appear mid-June in Sports Illustrated, Maxim, Motor Trend, and Men's Journal, among many others. Banner placements are also blanketing most standard and some new targets for the brand starting today. "Since the FR-S is Scion's biggest push into the sport coupe market yet, we wanted to extend our reach beyond our typical media channels," Lim explained. "This car already has a lot of buzz around it, and we are aiming to build on that excitement. Of course, television is still a powerful mass medium. We also chose mainstream automotive pubs for the first time. Our campaign is much heavier in details than usual as well. We're psyched about our specs and so are the automotive tastemakers; it was important to reach enthusiasts this time out. Andy and Mike really sold the experience of driving the FR-S." Lim also shared insights into some of the more innovative media tactics the campaign will introduce in July. "We're also using smartphone apps to invite readers to watch the FR-S in action through Digimarc codes embedded in the print. Using their smart phones, consumers will be able to peek under the hood of the FR-S and see it in action. This is a great way to feature the very emotional driving experience within a static print ad." According to Lim, Scion and ATTIK chose Digimarc technology due to its successful integration with the Sports Illustrated Swimsuit issue earlier this year, citing its track record, its powerful security features, and its ability to seamlessly present video as part of the agency's print ad, which is entitled Video Test Drive. That ad is scheduled to run in the July 9 issue of Sports Illustrated. Finally, Scion's and ATTIK's executives are also putting the finishing touches on a powerful iAd that will appear in targeted apps for the iPhone and iPad and allow viewers to view videos and explore more features of the FR-S in amazing detail.
    The brand and agency once again have many leading technology, creative, production and post-production partners to thank for their campaign contributions. Among those are commercial production company Blueyed Pictures, editorial company Lost Planet, CGI/VFX company Brewster Parsons, and music company Squeak E. Clean Productions. For ATTIK, additional credits include senior broadcast producer Patty Lum and senior account manager Michelle O'Hea, to name but a few.
    Credits:

    Client: Scion
    Advertising Agency: ATTIK U.S.
    Executive Creative Director: Simon Needham
    Creative Director: Ron Lim
    Art Director: Mike Cornell
    Copywriter: Andy Sciamanna
    Sr. Broadcast Producer: Patty Lum
    Production Company: Blueyed Pictures
    Director: Simon Needham
    Directors of Photography: Brooks Guyere, Daniel Ardilley
    Executive Producer: Jamee Natella
    Producer: Jon Goldberg
    Editorial Company: Lost Planet
    Editor: Saar Klein
    Executive Producer: Gary Ward
    Producer: Jaclyn Paris
    Graphics/VFX/Finishing Company: Brewster Parsons
    Executive Producer: Darcy Parsons
    Producer: Rebekah Koerbel
    CG Artists: Denis Gauthier, Vonetta Taylor
    Music/Sound Design Company: Squeak E. Clean Productions

  • Change for a Dollar

    Change for a Dollar

    Is he asking for Change, or is he asking for CHANGE?
    Follow a man as he affects multiple peoples' lives with just one dollar, proving that it doesn't take much to be the change in someone's life. The homeless man is played by Robert P. Campbell. You can't watch this without getting a little teary eyed, hopefully it will inspire you as it has me to make an effort to make a positive change in someone's life
    Winner — Best Short Film — Maryville Film Festival
    Winner — Audience Choice Award — Gateway Film Festival
    Winner — Audience Choice Award — Moonlight Film Festival
    Nominated — Best Female Filmmaker Award — Action On Film Intl Film Festival
    Nominated — Sirrocco Award — Action On Film Intl Film Festival
    Nominated — Best Silent Film — BareBones Intl Film Festival
    Credits:
    Written and directed by Sharon Wright
    Director of photography/editor Kendal Sinn
    Composer Christopher Komsthoeft
    More about Sharon Wright Here.

  • If Only Nurses Were Valued The Way Pro Athletes Are...

    If Only Nurses Were Valued The Way Pro Athletes Are...

    The Ontario Nurses Association (the union that represents almost 60,000 registered nurses and health professionals in Ontario), and Toronto based ad agency Doug & Serge idolize these health care pros much like sports superstars in print campaign.

    Press release:
    “We know and most Ontarians understand that nurses really are the most valuable players in health care,” says ONA President Linda Haslam-Stroud, RN. “Anyone who has used the health care system has seen the extraordinary skills, dedication and value that nurses bring to the table each and every day. These transit shelter ads continue to make the point that nurses are the heroes of health care.”
    Haslam-Stroud says that, “Our health care system desperately needs the invaluable skills and care that nurses bring, and the government must recognize the fact that dollar for dollar, nurses are the best value in health care.”

    Credits:
    Client: Ontario Nurses Association
    Agency: Doug & Serge
    via: Osocio

  • Football Fans Are Going To Hate The NFL's New On-Field Ads

    Football Fans Are Going To Hate The NFL's New On-Field Ads


    If you watched Thursday night's Ravens vs. 49ers preseason football game, you probably noticed the awful on-field advertising any time either team got in the end zone.

    According to BizJournals, Toyota is now the "exclusive auto partner" of the Niners as part of a multimillion dollar deal. Part of the agreement is that Toyota will sponsor the red zone — the area between the 20-yard line and the end zone — at San Francisco's brand new Levi's Stadium, meaning a massive, distracting graphic will appear on the screen any time a team reaches that section of the field.

    Luckily, Toyota's red-zone advertising will show up only on the local, KPIX broadcast of preseason games; it is not a national deal. Still, you have to imagine that this is a glimpse of the future, and one that NFL fans aren't going to be particularly pleased about.

    Here are two screengrabs, via SB Nation:



    Original story via: Advertising Insider

  • The Dark Knight Rises — Exclusive Nokia Trailer Debut

    The Dark Knight Rises — Exclusive Nokia Trailer Debut

    New Trailer for The Dark Knight Rises, the Exclusive Nokia Trailer Debut.

    "The Dark Knight Rises" in theaters July 20. Warner Bros. Pictures' and Legendary Pictures' "The Dark Knight Rises" is the epic conclusion to filmmaker Christopher Nolan's Batman trilogy.

    Leading an all-star international cast, Oscar(R) winner Christian Bale ("The Fighter") again plays the dual role of Bruce Wayne/Batman. The film also stars Anne Hathaway, as Selina Kyle; Tom Hardy, as Bane; Oscar(R) winner Marion Cotillard ("La Vie en Rose"), as Miranda Tate; and Joseph Gordon-Levitt, as John Blake.

    Returning to the main cast, Oscar(R) winner Michael Caine ("The Cider House Rules") plays Alfred; Gary Oldman is Commissioner Gordon; and Oscar(R) winner Morgan Freeman ("Million Dollar Baby") reprises the role of Lucius Fox.

  • Virgin Atlantic Fly In The Face of Ordinary Epic New TV Advert

    Virgin Atlantic Fly In The Face of Ordinary Epic New TV Advert

    Virgin Atlantic launches a great new ad campaign, "Fly In The Face of Ordinary" that celebrates the extraordinary talents of the airlines employees. The multimillion dollar advert highlights the amazing skills of the airline's staff of crew, designers, pilots and everyday pioneers.

    The campaign launches as the airline expands it's domestic flying program in the United Kingdom with service between London Heathrow and Manchester, Aberdeen and Edinburgh. Virgin Atlantic is also looking for 150 new staff for the launch and the epic two minute commercial gives us an insight into the kind of people that make Virgin Atlantic "fly in the face of ordinary" and provide prospective passengers a welcome splash of red in a weary world of grey.

    "Our advertisement is a powerful New Year message encouraging everyone to look again at young people and the talents they have to offer to businesses and industries all over the country. People are at the heart of Virgin Atlantic and this campaign celebrates them," said Sir Richard Branson, President of Virgin Atlantic and went on to say: "We're always on the lookout for gifted people to grow our business. Our staff hold the keys to the future of Virgin Atlantic; they work so hard, and we are delighted to dedicate this new advert to them."

    Credits:
    Creative Advertising Agency: RKCR/Y&R, UK
    Executive Creative Director: Mark Roalfe
    Creative Partners: Pip Bishop, Chris Hodgkiss
    Business Director: Vicky Jacobs
    Producer: Jody Allison
    Production Assistant: Flo Clive
    Music Producer: Dan Neale
    Production Company: Partizan
    Director: Antoine Bardou / Jacquet
    Producer: David Stewart
    DOP: Andre Chemetoff, Damian Morisot
    Production Designer: Nick Ellis
    Editing House: Work Post
    Editor: Bill Smedley
    Post production: MPC
    Post Production Producer: Julie Evans
    Sound Studio: Wave Studios
    Sound Engineer: Aaron Reynolds
    Composer: Guy Farley

  • "First Kiss" | Taco Bell Cool Ranch Doritos Locos Tacos Commercial

    "First Kiss" | Taco Bell Cool Ranch Doritos Locos Tacos Commercial

    Do you remember your first kiss? It was probably as awkward as it was awesome. That’s the feeling Taco Bell tried to portray in it's latest commercial, “First Kiss” by the creatives at Deutsch LA.
    The ad shows how Taco Bell’s “Live Mas” tagline works in small, believable ways, with people taking leaps they wouldn’t normally take. A teenage couple on their first date in front of a Taco Bell feels as if they could have come out of a John Hughes’ movie, all awkwardness and sweetness. (The song, "All Eyes on You" by St. Lucia, has an 80s synth vibe that gives the ad even more of a Hughes feel.) "For us the ad captures one of those moments where you first felt really alive, where you borrow your parent’s car, hang out with your friends in a Taco Bell parking lot, and (possibly) steal your first kiss."
    Director Zach Math, who also shot the previous two spots for Taco Bell, “Hola” and “The Most Obvious Idea in the World,” worked to create actual tension between the boy and the girl. He wouldn’t let them talk to each other until the actual shooting began. Then he tore a 100-dollar bill in half and gave one half to each actor, saying that they could only tape it back together again after the shoot—if they went out on a date.
    Credits:
    Creative Advertising Agency: Deutsch LA
    Chief Creative Officer: Mark Hunter
    Group Creative Director: Brett Craig
    Creative Director: Josh DiMarcantonio
    Senior Art Director: Sara Oakley
    Senior Copywriter: Melissa Langston-Wood
    Director of Integrated Production: Vic Palumbo
    Director of Content Production: Victoria Guenier
    Executive Producer: Paul Roy
    Producer: Alison McMahon
    Music Supervisor: Dave Rocco
    Production Company: Bob Industries
    Director: Zach Math
    Executive Producer/UPM: TK Knowles
    Executive Producer: John O’Grady
    Executive Producer: Chuck Ryant
    Producer: Brian Etting
    Director of Photography: Manel Ruiz
    Editing: Union Editorial

  • This Is The "Now" in Dubai We Can Worry About Tomorrow Later

    This Is The "Now" in Dubai We Can Worry About Tomorrow Later

    This is the centre of now in downtown Dubai created by the creative agency MC Films. They do a great job of expressing the beauty and luxuriousness (I like that word) of this mega-zillion dollar city in the United Arab Emirates.

    Billed as the most prestigious square kilometre of real estate in the world; Downtown Dubai is home to Burj Khalifa, the world's tallest building, The Dubai Fountain and The Dubai Mall. A flagship project of Emaar, Downtown Dubai, is best described as the new heart of the city and 'The Centre of Now'.

    Credits:
    Client: Emaar
    Agency: MC Films
    Production: Filmworks / MC Films
    Country: United Arab Emirates
    Director: Marc Chalhoub
    Producer: Jax Dyer-Donaldson
    Production company: Filmworks
    Production company: MC Films
    DoP: Emmanuel Soyer

  • Popular Porn Site Pulls The Rejected Super Bowl Ad Stunt

    Popular Porn Site Pulls The Rejected Super Bowl Ad Stunt

    A popular online hub for pornographically inclined individuals (haha ha) pulled a bogus Rejected Super Bowl Ad stunt, much like Peta and Ashley Madison did in previous years. Knowing full well they have no intention of dishing out the $4 million for a 30 second spot.

    PornHubs ridiculous press release...
    "Super Bowl TV network CBS has stepped up its defensive line ahead of this Sunday's big game, blocking a proposed multi-million dollar commercial from Pornhub...a CBS spokesperson offered this brief response via email to the website's proposal: "CBS Television Network Standards do not permit advertising related to pornography. Therefore, we cannot accept your submission."
    Pornhub Vice President Corey Price said: "The Super Bowl is the Holy Grail of ad spots and given our website's huge following in the US, we developed a G-rated commercial that we felt would meet the network's advertising standards."

    Here is Peta's Veggie Love spot from their 2009 rejected cry.

  • New Ads For Kaiser Permanente Are All About "What You Want" From A Doctor and their "Hands"

    New Ads For Kaiser Permanente Are All About "What You Want" From A Doctor and their "Hands"

    New multimillion-dollar ad campaign for Kaiser Permanente comes to us from the agency Lowe Campbell Ewald – the 10th season of the “Thrive” campaign – consists of TV, radio, print, outdoor and online banners. The new ads highlight the expertise of Kaiser Permanente physicians, emphasize the choice consumers have when selecting a personal physician and demonstrate the ease of accessing care.

    The two spots (“Hands ” and “What I Want”) are noteworthy, having been directed by husband and wife team Jonathan Dayton and Valerie Faris, who are known for directing the critically-acclaimed indie films “Little Miss Sunshine” and “Ruby Sparks.” The duo is also well known for directing commercials for big brands including VW, HP, Sony, GAP, Target, IKEA, Apple and ESPN.

    As the title suggests, the first spot focuses on something that’s simple and ordinary: “Hands.” Unless, of course, they’re the hands of Kaiser Permanente doctors. Then these hands become extraordinary tools that can heal, discover new ways to fight disease and, ultimately, save lives.

    "What I Want" (below) explores the different options people want in a doctor, and explains that at Kaiser Permanente, members are free to choose the doctor that’s right for them.

    Credits:
    Creative Ad Agency: Lowe Campbell Ewald
    Chief Creative Officer: Mark Simon
    Executive Creative Director: Jim DiPiazza
    Art Director: Chip Kettering, Keith McLenon, Robin Todd, Meggie McArthur, Michael McCallum, Susie Campo
    Copywriter: Mike Rushing, David Bierman, Michael Zadoorian, Pattie Breen, Jason Danielewicz, Jeff Perreca, Becca Loose
    Designers: Eric Dominguez
    Broadcast Producers: John Haggerty, Chris Robertson
    Broadcast Business Mgmt/Talent: Kelly Maines, Susan Keeler-Perkins
    Print Production/Art Buying: Renee O’Brien, Susan Osterrout, Tat Luneva-Evenchik
    Digital: Amy Ruud, Gonzalo Enriquez
    Solutions Planning: Jamie Lewis, Chris Marchegiani, Suzy Ghov

    Media:
    Tom Talbert
    Karen Campbell
    Jennifer Accad
    Lee Gallagher
    Jon Perez
    Derek Padilla-Ravega
    Jamie Snider
    Amanda Goetz

    President/Managing Director: Angela Zepeda
    Account Director: Doug Ryan
    Account Supervisors: Matt Clark, Tara Hitlin
    Account Executives: MoShai Gibbs, Adam Wagner, Alyssa Tigue

    TV PRODUCTION (CREDITS)
    Production Company: Bob Industries
    Director: Jonathan Dayton & Valerie Faris
    Director of Photography: Linus Sandgren
    Executive producer: Bart Lipton, TK Knowles, John O’Grady, Chuck Ryant
    Editorial/Post FX House: Union Editorial
    Editor: Jim Haywood
    Executive Producer: Megan Dahlman
    Transfer/Color: Co3
    Editor: Dave Hussi
    Audio Mix: Union Editorial
    Mixer: Milos Zivkovic