Christopher Riggert directs the new Adidas commercial introducing the 7.5oz adizero™ Rush running shoe. "The Team" TV spot is a communal celebration, athletes, cheerleaders, the marching band and fans join together and all run together, not bad.
Credits: Agency: 180 LA Client: Adidas ECD: William Gelner Prod. Co.: Biscuit Filmworks Director: Christopher Riggert
Frieze Films’ Rob Malpage directed and lensed Eskom Switch for Saatchi & Saatchi, Johannesburg.
The upbeat spot celebrates the way Eskom improves ordinary South African’s lives, reminding viewers how much begins with the flick of a switch.
While Kobus Loots’ fast-cut edit is full of intricate effects shots and transitions, Rob balances the technical with the human to keep the tone light, personal and modern.
Telkom’s National Control Room is restricted as a National Key Point, so Rob recreated it using a combination of art direction and CGI. He also overcame the loss during pre-production of Khusile Power Station. “Thankfully, I’d taken some stills on my director’s recce, so we shots the guys working with cranes on a building site and then comped the stills from the power station into the background. It actually worked in our favour, as I needed the foreground and background asseparate plates anyway to create the AutoCAD architectural drawing effect.”
Saatchi & Saatchi creative director Liam Wilopolski, copywriter Wynand Prinsloo and art director Wihan Meerholz conceived the spot, with InJozi supplying the score, directed by Rob Malpage at Frieze Films.
IBM breaks a series of new television ads that evolve the Smarter Planet campaign with a new creative look and feel. The television advertising provides a very different creative look for IBM, one that is a bit more visually distinctive. The smarter analytics campaign.
“All in the Cloud”, the most ambitious of the commercials, tapped 32 animators, illustrators, designers and modelers who worked for eight weeks to create a world that one could imagine in the clouds. Everything in the spot was painted by hand and then mapped onto 3D wireframes to create the completely bespoke look. Each character has a back story which sparked the animators’ imaginations. Every “location” was extensively researched to make sure the transformed world looked like the real one.
Credits: Ad Agency: Ogilvy & Mather Mike Hahn, Art Director/Group Creative Director Ryan Blank, Copywriter/Group Creative Director Susan Westre, Worldwide Executive Creative Director Steve Simpson, Chief Creative Officer, North America Fred Kovey, Copywriter Andrew Mellen, Copywriter Jillian Abramson, Art Director Lee Weiss, Executive Producer Jess Latour, Production Coordinator Dave Lambert, Assistant Producer Karl Westman, Executive Music Supervisor
Production Company: Psyop/Smuggler Director: Psyop Psyop Creative Directors: Marie Hyon, Marco Spier Executive Producer: Lucia Grillo Senior Producer: Crystal Campbell Associate Producer: Kay Chen Storyboard Artist: Ben Chan Design: Ben Chan, Laurean Indovina, Eunice Kim, Sam Ballardini, Mara Smalley, Paul Cayrol CG Lead: Mark Rohrer CG: Kitty Lin, David Han, Roman Kobryn, Dan Fine, Todd Daniele, Soo Hee Han, Rie Ito, Rick Fronek, Vadim Klyaev, Sylvia Apostol, Shuchen Lin, Denis Kozyrev, Fabio Piparo, Dave White, Rie Ito Gregory Ecker, Eric Chou, Consuelo Macri, Chang-Pei Wu, Joerg Liebold, Bogdan Mihajlovic Lead Compositor: Manu Gaulot Compositor: John Loughlin, Herculano Fernandes, Carl Mok Flame: Jamie Scott Editors: Cass Vanini, Jonathan Flaum Music: Pulse Music
The "New, Now" by Louis Vuitton online magazine comes this web film/ad. The music is awesome, The Do song "Too Insistent".
Iinspired by the iconic Monogram canvas created in 1896, Christian Borstlap has imagined the adventure of this little collectable. A miniature version of a monogram trunk suspended from an air-balloon wanders through an unknown and ancient world in search of its home.
Credits: Animation: Christian Borstlap Director: Manuel Ferrari Music: The Do – Too Insistent
New Wheat Thins commercial features Stewie and Brian from "Family Guy" doing exactly what they do best: argue and fighting. The ad pays homage to Stewie's ongoing difficulties with a certain pronunciation.
Credits: Client: Wheat Thins Title: "WHheat Thins — Family Guy" Agency: Being, New York Creative Directors: Lisa Topol and Samira Ansari Art Directors: Mitchell Ratchik, Jelani Curtis Copywriters: William Burks Spencer, Christopher Stephens Executive Producer: David Fisher Producer: Dwight Clifford Business Affairs Director: Samantha Norvin Sr Talent Manager: Brian Enright Group Account Director: Caroline Winterton Account Director: Kim Tice Account Manager: Catherine Sweeny Project Manager: Tanya Woods
Editorial: Chop Shop Editor: Daniel de Winter Production: Production Company: Fox Television Animation Executive Producers: Seth MacFarlane, Kara Vallow Producers: Kim Fertman, Shannon Smith Production Manager: Brent Crowe Associate Producer: Charles Song Production Coordinator: Leslie Rider Director: Brian Iles Voices: Seth MacFarlane Editor: Eric Brown Music: "Hair Pie" written and performed by: Ron Jones Trademark Licensor: Fox Film Music Corp / Twentieth Century Fox Film Corp
Google introduces us to "Search, Plus Your World" with a new web promo. Transforming Google into a search engine that understands not only content, but also people and relationships. They began this transformation with Social Search, and now Google search is taking another big step in this direction by introducing three new features: Personal results, profiles in search, and people and pages. I like the music, "We Are Young" by Vassy featuring Tim Myers.
From the official Google Blog: Official Google Blog: Search, plus Your World
The sea has called for billions of years. But for the first time, she's calling on a Shellphone and this makes for a great new web ad/commercial campaign for Royal Caribbean Cruises.
Credits: Client: Royal Caribbean Spot Title: The Sea is Calling Ad Agency: JWT ECD: Richie Glickman Copywriter(s): Larry Silberfein, Paul Fix Art Director(s): Georgina Hofmann, Carlos Fernandez EP: Kristen Barnard Producer: Shane Smith Prod Co: East Pleasant Director: Xander™ DP: Damien Drake EP: Sarah Roebuck Producer: James Blom Editorial Co: Pleasant Post Editor: Will Znidaric EP: Sarah Roebuck Producer: Natalie Rose Post/Effects Co: Artjail Lead Flame Artist: Steve Mottershead Flame Artist: Graham Holly EP: Leslie McCartney Telecine Co: Pleasant Post Colorist: Tristan Kneschke EP: Sarah Roebuck Producer: Natalie Rose Music Co: Pulse Composer(s): Dan Kuby ASCAP, Saunder Jurriaans SESAC, Danny Bensi ASCAP Publisher: Kuby Tunes ASCAP EP: Dan Kuby Producer: Dan Burt Sound Design/Audio Post Co: JWTwo Sound Designer/Mixer: Andy Green Producer: Greg Tiefenbrun Shoot Location: New York City, NY; Austin, TX; Portland, ME; Chicago, IL
The new commercial for DirectTV tells us what happens when we make bad decisions with cable TV, the comical ad shows us just how that decision might lead you to a grandson and a dog collar.....
The DIRECTV "Don't Have a Grandson with a Dog Collar" ad above and "Don't Wake Up in a Roadside Ditch" commercial below.
Credits: Advertiser: DIRECTV Spot Title: Stray Animals, Roadside Ditch, Dog Collar Ad Agency: Grey NY President/CCO: Tor Myhren Executive Creative Director: Dan Kelleher Associate Creative Director: Doug Fallon Associate Creative Director: Steven Fogel Agency Executive Producer: Andrew Chinich Agency Associate Producer: Lindsay Myers Production Company (location): MJZ LA Director: Tom Kuntz
The newest commercial for Geico brings back Maxwell the pig, first he went "Whee" all the way home in the Ask the Geico Question Guy ad campaign to "Whee weeeeeeee weeeeeeeeee" all the way down the Zip Line.
If you can't make what the pig is saying it's "pure....adreniline,"
Credits: Ad Agency: The Martin Agency Chief creative officer: John Norman Creative director: Steve Bassett Associate creative director/copywriter: Dave Gibson Agency producer: Alex Scheer-Payne. Director: Brian Lee Hughes via Skunk Director of photography: Paul Cameron Executive producers: Matt Factor and Shelly Townsend Line producer: Scott Craig Editor: Tom Scherma at Cosmo Street Post production/VFX: Click 3X Colorist: Tim Masick at Company 3.
The Co-operative Funeralcare, part of The Co-operative Group, unveils a new integrated advertising campaign today.
The campaign, which includes TV, press, radio, outdoor and digital activity, has been devised by Leo Burnett – lead advertising agency for The Co-operative. It is the agency's first output for The Co-operative Funeralcare, and has been developed following extensive consumer research.
The TV commercial was directed by Peter Cattaneo, Oscar-nominated director of The Full Monty, who has also directed ads for brands including Volkswagen, McDonald’s and The National Lottery.
In the ad, a bereaved wife is taken on a detour on the way to her husband's funeral, passing along a bridge that looks down over his favourite fishing spot, where fellow fisherman bow to pay their respects. The narrator tells us “a funeral is more than just flowers, cars and music”, and at Funeralcare it's about “finding those personal touches”, such as changing the route to prompt a happy memory.
Actress Katherine Kelly provides the voiceover and real-life Funeral Director, Lynsey Ward, from Funeralcare’s Bolton funeral home also stars. The first 40-second commercial will air on ITV and a shorter 30-second execution will also be circulated.
Lorinda Robinson, Head of Marketing, The Co-operative Funeralcare said: “The advert focuses on personalisation and The Co-operative Funeralcare's ability to deliver personal touches to make a funeral more memorable and respectful. The business has been a pioneer in TV advertising in the funeral industry and the new advert highlights how, as the UK's leading Funeral Director, we ensure that every funeral we arrange is completely personal and unique.”
Credits: Project name: The Co-operative Funeralcare: ‘Smile’ Client: Lorinda Robinson, Head of Marketing, The Co-operative Funeralcare Brief: Co-operative Funeralcare wanted to show that the tiniest touches are important to their business of helping their clients as much as possible. This has been achieved in this script by diverting the hearse to show fishermen standing to show their respect to our heroine's husband. Creative agency: Leo Burnett Copywriter: Graham Lakeland Art Director: Richard Robinson Creative Directors: Tony Malcolm and Guy Moore Executive Creative Director: Justin Tindall Planner (Leo Burnett): Ian Hilton Media agency: Rocket Media Planner (Rocket): Faye Turner Production Company: Academy Films Director: Peter Cattaneo Editor: Scot Crane, Quarry Post-production: MPC Audio post-production: 750MPH Exposure: National television; Press, Outdoor, online Press/Poster Credits: Designer: Tim Fletcher