This might not go over to well with the serious religious types, but hot damn this is hilarious...Automaker Citroën found a way to promote the fact that it's diesel line of cars are all equipped with particulate filters by sending a guy atop the Sistine Chapel to clear the black smoke.
In other Papal finds in advertising, The Pope's Cologne anyone?
Not liking it huh, how about the Popod? Get it Pope...iPod...come on it comes with 10,000 psalms.
Not yet, maybe the Pope at an Italian Burger King Drive-Thru ordering espresso...
Hot Pockets and Snoop team up and create the ultimate music video rap with "Pocket Like It's Hot".
The irresistibly hot music video to end all music videos — "Pocket Like It's Hot", featuring Snoop, DeStorm Power, Andy Milonakis, Herbie Hot Pockets®, and WWE® Superstar Brodus Clay, brought to you by HOT POCKETS® brand sandwiches. Lots more info and on the company Facebook app page.
I know what you thinking, don't you wish you had the lyrics to the rap...done.
Lyrics: Hungry kids in the crib ma Pocket like it's hot Pocket like it's hot Pocket like it's hot When the craving's got a hold of you Pocket like it's hot Pocket like it's hot Pocket like it's hot And yo munchies get a attitude Pocket like it's hot Pocket like it's hot Pocket like it's hot I've got the pockets in my arms Settin' off smoke alarms And I eat 'em smokin hot 'Cause I got it going on - I'm a hot dude, with some hot dreams Getting fired up, letting off steam Everybody showing love — Herbie's in da tub Checkin' applications for the Hot Pockets fan club Pepperoni pizza, much better than some fish eggs The interior too hot let it cool off for a few secs I'm running for the taste, that can be my phys ed Chompin Hot Pockets, that's how you get ahizzead Winners get the meaty meats, Winners get da cheesy eats The tag-team meal that's too hot for TV Get off my pockets, you gotta backup Yup that's whatssup, now sign the prenups Me and Hot Pockets never gonna splitup You should think about it.....take a second. - I bring the heat, but y'all knew that Da Big Sauce Boss, yeah, I had to do that I keep it fired up, even when I'm inside You take what's mine, then ya gonna have to run 'n hide He light 'em up so much that everybody talks They all wanna turn in his Hot Pockets Box Two, one, yep, three these Pockets are H O double T Smokey temps hitting that three thirty three If you can't stand it this hot Then you can't chill with me So bring your friends, we going on a wild ride Herb Sauce tender meats heat yo insides So don't change the dizzle, turn it up a lizzle Got some cheesy drizzle dripping on my shizzle Waiting on the brizzle's, the pizzle, the dizzle Gs, when da cheese hits your tongue it'll scream "Fo Sizzle" - Hungry kids in the crib ma Pocket like it's hot Pocket like it's hot Pocket like it's hot When the craving's got a hold of you Pocket like it's hot Pocket like it's hot Pocket like it's hot And yo munchies get a attitude Pocket like it's hot Pocket like it's hot Pocket like it's hot I've got the pockets in my arms Settin' off smoke alarms And I eat 'em smokin hot 'Cause I got it going on
Credits: Advertising Agency: BBDO, New York, USA Chief Creative Officer: David Lubars Executive Creative Directors: Tim Bayne & Lauren Connolly Copywriter: Christopher Cannon Senior Art Director: Eduardo Pertersen Producer: Chris Lenz Production Company: RSA Director: Lieven Van Baelen President: Jules Daly Executive Producer: Marjie Abrahams Producer: Betsy Blackemore Editorial Company: Final Cut Editor: Adam Rudd Assistant Editor: Geoff Hastings Executive Producer: Lauren Bleiweiss Producer: Olivia Chiu Color Grading: Smoke & Mirrors Colorist: Stuart Wheeler Sound Design: Henry Boy Mix: Final Cut Mixer: T. Teresa Tate Music: “Barbastella” / Hans Zimmer VFX / Finishing: Smoke & Mirrors VFX Supervisor / Flame Artist: Brian Benson Head of Production: Amy Selwocki Producer: Barbara Kontarovich
The hamsters are back! Kia’s new ad for the all-new 2014 Soul is officially launching this Sunday at the MTV Video Music Awards. Titled “Totally Transformed,” the campaign is centered around a 60-second spot set to the new single, “Applause,” from Lady Gaga. The spot will air following Lady Gaga’s first-ever live performance of “Applause.”
In the spot, both the Soul and its formerly frumpy hamster mascots undergo a transformation. Mirroring the newfound refinement of the all-new Soul, the hamsters shed their furry folds and baggy clothes to become lean, mean head-turning machines.
Credits: Creative Ad Agency: David&Goliath Chief Creative Officer: David Angelo Executive Creative Director: Colin Jeffery CD/Copywriter: Gary DuToit CD/Art Director: Eron Broughton ACD/Copywriter: Greg Buri ACD/Art Director: Basil Cowieson ACD/Art Director: Kriss Grove Executive Producer, Managing Director: Carol Lombard Executive Producer: Paul Albanese Managing Partner, Client Services: Brian Dunbar Group Account Director: Brook Dore Account Director: Justin Manfredi Account Supervisor: Nancy Ramirez Account Executive: Kammie Dons Associate Strategic Planning Director: Steven Garcia Sr. Planner: Armando Potter
Production Company: @radical.media Director: Colin Jeffery Executive Producer: Frank Scherma Producer: Kathy Rhodes Director of Photography: Toby Irwin Production Designer: Brock Houghton Wardrobe Stylist: Christina Blackaller
Special EFX: Legacy Effects
Editorial: Rock Paper Scissors Editor: Angus Wall Executive Producer: CL Weaver Producer: Toby Louie Assistant Editor: Austyn Daines
Post Production: MPC VFX Supervisor/ 3-D Lead: Andy Boyd Compositing Supervisor: Jake Montgomery Animation Lead: Stew Burris Animator/Rigger: Ian Wilson Animator: Jean-Dominique Fievet Lighter: William Schilthuis Lighter: Shaun Comly Texture: Hayley O’Neil Modeler: Aaron Hamman 3-D FX: Charles Trippe Tracking: Mike Wynd Compositor: Clement Compositor: Jason Heinz Compositor: Brendan Smith Smoke Artist: Mark Holden Telecine: Mark Gethin Executive Producer: Asher Edwards VFX Producer: Nicole Fina
Record Label: Interscope Records Artist: Lady Gaga
Sound Design: Hammers Project Sound Designer: Johannes Hammers
NASCAR fans attending the 2013 Brickyard 400 races are being greeted by this ad on a jumbotron at the Indianapolis Motor Speedway.
The spoof beer ad produced by the Marijuana Policy Project (http://www.mpp.org) — highlights the relative safety of marijuana compared to alcohol by characterizing marijuana as a "new 'beer'" with "no calories," "no hangovers," and "no violence" associated with its use...Big Nascar sponsors Crown Royal and Miller Lite I'm sure aren't too pleased about this ad.
Brand: Smoke Films
Advertising Agency: Fire Comunicação, Brazil
Creative Director: Elisa Quadros
Art Director: Alessandro Duque
Copywriter: Marcus Vinícius
Photographer: José Alberto Júnior
Account Directors: Bruno Weigert, Rui Duarte
Media: Leticia Parmagnani, Bebel Lacourt
Producer: Stanley Stein
Chelsea FC stars John Terry, Fernando Torres and Juan Mata get covered in blue paint in the latest advert for Adidas: It's blue, what else matters?
Credits: Agency: The Corner Creative Director: Tom Ewart Creative Team: Matthew Lancod, Robert Amstell,Pauline Ashford and Mike Kennedy Designer: Will Chak Business Director: Jonny Angel Production Company: Jonny Angel Director/Photographer: Mark Zibert Sound Design: Wizzy Wow Retouching: Smoke & Mirrors Production Company: 24 Senior Communications Manager (Adidas): Steve Marks
The challenge, how to launch the new Mini 2-Seater Roadster and tell middle aged men that their best adventures are in the future not the past. How? You create a Psychic Mini of course. The campaign sent them signs by way of billboards, and reached out to all the online skeptics, then contextually in the physical world. When people went online to search for answers a Psychic revealed all and then finally giving the user a personalized Psychic reading all thanks to the MINI...nice.
Credits: Advertising Agency: Profero, USA Advertising Brand Manager: Anna Kilmurray Acc Director: Jay Kossifos Account Executive: Bridie Scriven Executive Creative Director: Elspeth Lynn Creative Directors: Dave Newbold, Jim Eyre Copywriter: Dave Newbold, Spencer Jones Art Director: Jim Eyre Music & Sound: Pitch n Sync Designers: Lionel Agbadou, Luke Till / LEAD UX / Information Architect: Simon Pan, Dave Regan Copywriter: Dave Newbold, Spencer Jones Agency Producer: Jonathan Acton, Silvia Figueirido Microsite build: LIDA Production Company: The Mill / Smoke & Mirrors
Foot Locker and Reebok have brought together NBA Legend Shaquille O'Neal and hip-hop superstar Tyga in it's latest commercial where Tyga needs a left device to raise him to Shaq's level to have a conversation. As you can see there is a large height differential, so Tyga constructs a way to even the playing field.
Credits: Advertising Agency: BBDO, New York, USA Full credits after the clip.
Credits Con't: Chief Creative Officer: David Lubars Senior Creative Directors: Chris Beresford-Hill, Dan Lucey Associate Creative Director & Copywriter: Jessica Coulter Associate Creative Director & Art Director: Matt Sorrell Executive Producer: Anthony Curti Executive Music Producer: Melissa Chester Production Company: O Positive Director: Jim Jenkins Executive Producer: Ralph Laucella EP/Line Producer: Marc Grill Director of Photography: Jeff Cutter Editorial: Mackenzie Cutler Editor: Ian Mackenzie Assistant Editor: Nick Divers Executive Producer: Sasha Hirshfeld Sound Design: Sam Shaffer Sound: Heard City Sound Mixer: Keith Reynaud VFX / Conform: Schmigital Smoke Artist: Jimmy Hayhow Color: CO3 Colorist: Tim Masick GFX: Hornet inc Designer / Animator: Santa Maria Music: Philip Quinaz
New Jolly Ranchers Turtle Ad – Chewy and crunchy, like a turtle. But they taste way better and won’t laser zap you.
“Turtle” is the latest from director Olivier Agostini for Jolly Rancher. “Turtle” was written and directed by Olivier Agostini as part of a crowd sourcing campaign for the brand, which he discovered on http://www.poptent.net The brief for this project was centered around the concept that the new Jolly Rancher candy was crunchy and chewy.
“The words a crunchy hard shell with a chewy inside, kept making me think of a turtle”, says Agostini. “I've never owned a turtle, nor do I know anything about turtles, but I couldn't seem to shake this vivid picture from my imagination.”
After a week of brainstorming, Agostini came up with the concept for the spot you see here – a spot about a guy who's ominously staring at a turtle, wanting to eat it for its "crunchy and chewy" qualities, and a turtle who is trying to convince the guy not to eat him in favour of the Jolly Ranchers. “This could not just be any turtle,” adds Agostini. “I had to give the turtle some sort of power. And since the turtle was limited in terms of mobility (turtles aren't very good at karate) I figured lasers would be an easy and funny defense mechanism. And who doesn't love lasers?”
All the shots of the turtle are in-camera. The only effects being the smoke, sparks and lasers. “I felt it would never be as funny if a CG turtle was used or if we animated his mouth. For me, the more practical it looked, the funnier it was.”
Credits: Director: Olivier Agostini Production Company: Weird Pictures Copywriter: Olivier Agostini Art Director: G.O. Burton DP: Aaron Biller Editor: Steven Cuellar Production Designer: Jimmy L'ananas Wardrobe Stylist: Marie-Pierre Agostini VFX: Aaron Sjogren Animal Wrangler: Stephanie Ghantous SFX: Tyler Slade Post: Co3
A stadium full of soccer fans are so excited about losing weight that they get naked, thanks to one streaker who triggered the chain reaction. Well this one awesome way to advertise, created by Cutwater for CoolSculpting.
“This is a category where no true brands exist. Products and services and the images typically used are a homogeneous blur,” said Chuck McBride, founder and executive creative director for Cutwater. “Our responsibility was to not just create a brand within the cosmetic medical device category but to create one that transcends into culture on the idea of self-confidence. Because it really isn’t about what you lose. It’s about what you gain.”
Credits: Client: ZELTIQ® Aesthetics, Inc. Product: CoolSculpting® Agency: Cutwater, San Francisco
Executive Creative Director / Copywriter: Chuck McBride Executive Creative Director / Art Director: Travis Britton Executive Producer: Daniel Tuggle Production Company: Interrogate Films Director: Jeff Labbe Executive Producer: Jeff Miller Line Producer: Sam Levene Editorial: Barbary Post Editor: Bob Spector Asst. Editor: Dani Sanchez Asst. Editor: Matt O’Donnell Executive Producer: Kristen Jenkins Smoke / Visual Effects: Greg Gilmore After Effects: Steve McEuen Sound Design: Pollen Sound Designer: Scot Stafford
Jason Associates is an executive search, training and development company. Using the conclave at the Vatican as inspiration, Jason Associates communicates, in an original and creative way, its services. BAR created an open letter to the cardinals meeting at the Vatican, that was published today in Público, one of the most important newspapers in Portugal. In the letter, Jason Associates showcases its experience in the selection of the best candidates for “leadership missions”. Even knowing that the decision will be, as always, “guided by the holy spirit”, the executive search company offers to share its experience and expertise with the conclave, so that the world can see white smoke rising from the chimney on top of the Sistine chapel as soon as possible.
Created by the advertising agency: Bar, Lisbon, Portugal via:
The new Reebok commercial “"Girl Inspired"” is bold & beautiful, striking a chord and with a rhythmic intensity that is the fusion of music video and an all-out powerful brand spot for agency mcgarrybowen. Reebok and Alicia Keys have a new and exciting partnership and design collaboration. Alicia's first project with Reebok is the launch of her own signature collection, which includes a new take on the Freestyle Hi (also known as the 5411), Freestyle Double Bubble, Classic Nylon Slim and Princess.
To support the launch of her new Reebok Classics signature collection, Alicia Keys is featured in this TV commercial directed by Samuel Bayer. Set to an exclusive version of her upcoming new single, Girl on Fire, the story showcases how Alicia inspires and empowers women through her soul-searching journey to the top. The story takes place in the world's greatest canvas and Alicia' hometown — New York City.
Credits: Title: “Girl Inspired”: 30 Advertising Agency: mcgarrybowen, New York, NY Executive Creative Director: Mark Koelfgen Associate Creative Director: Jamie Massam Associate Creative Director: Cooper Smith Account Director: Alison Stratten Account Supervisor: Heather Livengood Executive Producer: Steve Ford Assistant Producer: Nick Bourne Production Company: Serial Pictures NY & Serial Pictures CA Director: Samuel Bayer Executive Producer: Violaine Etienne Head of Production: Peter Fitzgerald Producer: Richard Berman Editorial Company: Cut + Run Editor: Gary Knight Assistant Editor: Zach Patten Producer: Melati Pohan Executive Producer: Rana Martin Telecine: Company 3, New York, NY Colorist: Tom Poole Visual Effects: Smoke & Mirrors, New York, NY Artist: Sam Caine Assistant Artist: Dan Bowhers Audio Post: Plush, New York, NY Mixer: Rob Fielack
Yesterday's gone and tomorrow will be, so life is all about enjoying the moment you're in. Magners' latest ad, featuring an ode to the 'here and now', and inspiring the nation's cider lovers to meet for a Good Time with Magners.
Credits: Advertising Agency: The Red Brick Road, London Production: Sonny London Country: United Kingdom Director: Steve Rogers Creative Director: Matt Davis Creative Director: Richard Megson Art Director: Marcus Smith Copywriter: Tom Hopkins Producer: Charles Crisp — TAG Worldwide Business Director: Kate Modeland Sound: Factory — Tom Joyce Sound: Factory — Sam Robson Post production: Big Buoy — Flame — Mark Robinson Post production: Smoke and Mirrors — Grade — Mark Horrobin Editing Company: Speade Post production: Big Buoy — Producer — Barny Wright Editor: Sam Sneade
In honor of director Tony Scott (directed Hollywood hit movies Top Gun, Days of Thunder and Beverly Hills Cop II) who passed away this past Sunday at the age of 68, Great-Ads would like to honor Scott by featuring one of his last directorial works. The Last Diet Mountain Dew commercial entitled "Livin’ the Life" featuring Dallas Mavericks owner Mark Cuban offering up all sorts of luxuries for the last Diet Dew only to be rejected.
Credits: Ad Agency: BBDO, New York Director: Tony Scott via RSA Films Art Director: Eduardo Petersen Copywriter: Christopher Cannon Director of photography: Jeff Cronenweth Editor: Skip Chaison Visual effects and post production: Smoke & Mirrors, New York Chief creative officer: Sean Broughton Head of production Amy Selwocki
Director Tony Scott was a thrill-seeker in his personal life, an avid rock climber who also liked driving fast cars and motorcycles. Still, filmmaking was his real thrill.
The NBA is out with two new commercials, "The Disappearing Act" is directed by Spike Lee and stars Magic Johnson, Steve Nash, and Chris Paul.
CP3 bursts on and off the court in a puff of smoke, so fast that at one point he leaves the court and appears at a table in a diner with other point guard greats, Magic and Nash. In a flash, CP3 is headed back to the hoop and scores!
Credits: Ad Agency: Goodby Silverstein & Partners.
Check out Chris Paul in the "Born To Assist" State Farm Insurance ad, this kid can act too.
Mighty director Alexander Paul recently lensed a three-spot package promoting Hyundai's Genesis R-Spec and Equus vehicles.
Faster Acting focuses on a test driver guiding his Genesis R-Spec around a test course. As he bolts over the track in a squeal of smoke and speed, Paul shows us the car from multiple angles, including a goosebump-inducing view from behind the wheel. Valet Parking is a slow-motion spiral through the skylines and boulevards of Manhattan. As a couple gazes out the window of their Equus at the Guggenheim Museum in wonder, the valet nearly drops his client's keys watching the car roll past, and a narrator reminds viewers that J.D. Power recently ranked the ride highest in the vehicle appeal category for premium cars. Review begins with the oft-heard expression, "You can't always get what you want"; a Hyundai with a GDI engine navigates through the back roads of the Hamptons, its relaxed driver allowing his GPS navigation system to lead him pass hedgerows and summer estates as he sinks into the elegant leather interior. A final shot of the vehicle's sleek exterior proves that getting everything one wants in a car is quite possible.
"It was a real pleasure being able to interpret Hyundai's message with a great deal of artistic freedom," stated Paul. "Visually speaking, I wanted to give all three spots a distinct look and feel, reflecting both the raw experience of the car and the landscape in which it's being driven. While the fluidity of Valet and Review convey the elegance of the models, the sharp, precise cuts Faster Acting evoke speed and performance. We made the most of all three shoots, especially Valet, when the earliest snow blizzard in New York's history called for some much-welcomed improvisation."
"Alexander's love of cars is evident in his work," noted EP Eric Bonniot. "He treats them with a unique sense of humanity, giving them character through the stories he tells. Shooting these spots was a lot of fun for us because Hyundai is really in touch with its audience, and its new line of vehicles are an absolute knockout."
Credits: Client: Hyundai Spot Title(s): Valet Parking, Faster Acting, Review Agency: Innocean CD: Ed Miller AD: Tyson Brown Copy: Cooper Olson, Jonathan Hum Prod Co: Mighty Film Co. Director: Alexander Paul DP: Stephan Von Borbely EP: Eric Bonniot Producer: Susanne Porzelt VFX: Liquid Lead VFX Artist: James Bohn VFX Artist: David Parker Producer: Terry O'Gara Editorial Co: Spot Welders EP: David Glean Senior Producer: Carolina Wallace Editor: Michael Heldman Asst. Editor: Patrick Murphree Telecine Co: New Hat Mixer: Bob Festa Shoot Location: NYC, Hamptons, Alabama
Attribution: Written content created by TRUST: http://www.trustcollective.com Under Creative Commons License: Attribution Share Alike
The Recording Academy® and TBWA\Chiat\Day have teamed for the sixth year to promote the 55th Annual GRAMMY Awards® with the ad campaign "#TheWorldIsListening." The 55th Annual GRAMMY Awards (www.grammy.com) will be held on Sunday, Feb. 10, 2013, at the STAPLES Center in Los Angeles and will be broadcast live in HDTV and 5.1 surround sound on the CBS Television Network.
"Slammed Door" featuring Rihanna above and below is "Soundcheck" with The Black Keys and voiceover by Dr. John
"#TheWorldIsListening" campaign features both established and up-and-coming artists across a variety of print, out-of-home and digital communications, as well as three TV commercials. The first commercial, "Slammed Door," tells five-time GRAMMY® winner and current nominee Rihanna's story. The second commercial, "The World is Listening," features artists including the Kills, Snoop Lion and Taylor Swift alongside emerging artists such as Grace Potter, Kishi Bashi and Dam-Funk. Two-time GRAMMY winners and current nominees the Black Keys will appear in the forthcoming commercial titled "Soundcheck."
At the heart of this year's "#TheWorldIsListening" campaign is a newly created Web site, www.grammyamplifier.com, which allows musicians to share their tracks via SoundCloud for a chance to have their music tweeted out by a panel of musical icons, including Linkin Park, RZA, and Snoop Lion. While social media has given musicians more ways to share their sounds than ever before, the online music space is increasingly fragmented. As a result, it gets more difficult for emerging artists to be discovered. "#TheWorldIsListening" campaign and the GRAMMY Amplifier aims to help solve this problem by exposing new artists through social platforms — with the ultimate goal of discovering artists with the potential to be the next generation of GRAMMY winners..
"This year's campaign highlights the raw emotion and desire of the artist's journey, and is amplified via social media in order to draw more music fans into an engaged music conversation," said Evan Greene, Chief Marketing Officer of The Recording Academy.
Patrick Condo, Creative Director, TBWA\Chiat\Day, said, "Sure, the music industry embraces fame — but music always comes first. From RZA to Rihanna, to the young girl taking her first piano lesson, it's their passion for the craft that will, ultimately, lead them to the public and then fame. This year's campaign celebrates this passion and the talent as burgeoning artists embark on that quest for fame."
All of the campaign materials prominently feature the hashtag #TheWorldIsListening, a first in GRAMMY history and a testament to the role of social media with regard to the GRAMMY telecast. In February 2012, the 54th Annual GRAMMY Awards generated more than 13 million social media comments making it the biggest social media event in the history of television at the time.
"The World Is Listening" 55th GRAMMYs Full Campaign Credits: Artists: The Black Keys, Gary Clark Jr., DaM-Funk, The Gaslamp Killer, Jim James, Kaskade, The Kills, Lianne La Havas, Linkin Park, Moon Duo, Nas, Ozzy Osbourne, Papa, Grace Potter, Rihanna, RZA, Simian Mobile Disco, Snoop Lion, Taylor Swift, Anthony Valadez, Warpaint, Patrick Watson, Jonathan Wilson.
Global Creative President: Rob Schwartz Executive Creative Director: Patrick O’Neill Creative Directors: Patrick Condo & Bob Rayburn Associate Creative Director/Copywriter: Eric Haugen Associate Creative Director/Art Director: Kirk Williams Art Directors: Hillary Coe, Rebecca Ginos, Katie Dittman Executive Director of Integrated Production: Richard O’Neill Executive Producer: Sarah Patterson Producer/Music Supervisor: Michael Gross Assistant Producer: Whitney Fromholtz Director of Creative Technology: Ricardo Diaz Account Director: Michele Tebbe Management Supervisors: Mike Peditto & James Aardahl Account Supervisor: Daryl Conui Group Planning Director: Rad Tollett Digital Strategist: Kyle Luhr Business Affairs Managers: KK Davis & Lisa Lipman Typography Design: I Love Dust
DIGITAL PRODUCTION Music Supervisor: Liza Richardson Creative Technologist: David Riegler Tech Lead: Gevorg Ablabutyan Senior Developers: Marcelo Duende & Jake Edur QA Lead: Lester Broas QA Engineer: Walter Velasquez Senior Producer: Justin Taylor Producer: Kiley Story Tech Lead: Mike Bucks Technology Manager: John Byrne
PRINT & OOH PRODUCTION Photographer: James Minchin Executive Art Producer: Karen Youngs Print Producer: Matthew MacDonald Project Managers: Jane Martin, Collin Beckles Creative Retouching: Arthaus Prepress: E-Graphics
FILM PRODUCTION Director: Saam Farahmand Production Company: Furlined President: Diane McArter VP Executive Producer: Eriks Krumins Producer: Dave Robertson Original Music, Sound Design, & Mix: Barking Owl Creative Director: Kelly Bayett Mixer: Brock Babcock Sound Design, "Slammed Door" and "Soundcheck": Barking Owl & Michael Anastasi Editorial: Arcade Editor, "The World is Listening": Kim Bica Editor, "Slammed Door" and "Soundcheck": Greg Scruton Post Producer: Kirsten Thon-Webb Managing Partner: Damian Stevens Executive Producer: Nicole Visram Assistants: Dean Miyahira, John Jenkins, Pete D'Andrea, Laura Sanford Visual Effects: The Moving Picture Company Creative Director / VFX Supervisor: Paul O’Shea Smoke Artist: Mark Holden Telecine Artist: Ricky Gausis Producer: Juliet Tierney Executive Producer: Asher Edwards
Your dad has always had the power to make you smile, now Oral-B wants to help you power up his smile in return.
Make your dad smile by sending him this video, or by sharing your favorite dad memory on http://powerofdad.com or by just letting him know that Oral-B is donating $25,000 to March of Dimes in his honor
Credits: Agency: Publicis Kaplan Thaler, NY, USA Senior Vice President, Creative Director: Mark Ronquillo Art Director: David Drayer Copywriter: Heather Stiteler Senior Producer: Deanna Shenn Sound: Sound Lounge Mixer: Glen Landrum Post Production: Cutting Room Editor: Conor O’Flynn Post Executive Producer: Melissa Lubin Post Producer: Kristine Polinksy Finishing: Light of Day Finishing Producer: Aynsley Connell Smoke Artist: Peter Charles GFX: Leo Nguyen Flame Artist: Colin Stackpole Head of Production: Kristen Barnard
