Portrait for magazine «TIME» cover on March, 19th, 1984. The author: Andy Warhol.
As though each of us personally concerned the person of king who has recently left on rest of the popular music, undoubtedly one is there was very strange person who has left very appreciable trace on a planet the Earth. It is natural, that the outstanding personality and not trivial life drew attention of many artists using the recognised image for the author's works.
As a tribute of memory to the person-epoch we have decided to make art gallery, where the protagonist one — Michael Jackson.
Michael Jackson's created to release of a film of 1988 Moonwalker the sculpture-robot in which the singer turns in the robot.
It does not matter if you’r black or white. The author: Scott Bowler.
Michael Jackson and chimpanzee. The sculptor: Jeff Koons. The sculpture of the singer from the gilt porcelain at which the chimpanzee in a lap sits, has been executed in 1988 in number of three copies (plus one author's).
Statue of the king of popular music, balcony of the house leaving on Piccadilly Circus, London.
New York hyperrealist Richard Phillips represents a picture under the name «Jacko» with the image of a porcelain face of the superstar.
Michael Jackson's digital portrait. The author: Hisui.
Known artists and designers have participated in advertising campaign creation «Rare prints» for exclusive series of sun glasses «Ray-Ban Wayfarer».
Traditionally colorful and bright summer collection of a brand was updated by an author's adv prints from artists and designers: Vahalla, Matt W. Moore, Aesthetic Apparatus, and Ames Bros.
The Well-known Illustrators for the Well-known Brand
Short 15-second video-clips are logic continuation of prints and show unusual characters from a collection of «Rare images».
The creative belongs to agency Cutwater (San Francisco), production by One Small Step, director Tomorrows Brightest Minds.
Adv agency Jung von Matt (Alster, Germany) has embodied the Brazilian motives in advertising of alcoholic cocktails «Bit Copa». The idea shows a drink "a Bit more exciting", than other drinks, because a drink — "REFRESHINGLY BRAZILIAN".
The Brazilian Freshness
In the visual plan the agency has shown the "revived" drawings on a skin of girls which hold cocktails.
In a composition «Sounds of silence» two known guys there is such line: «Silence like a cancer grows».
Eshel Ben-Jacob from one of universities of Israel knows not by hearsay this silence. And not only it. It is necessary to take pleasure such at times in deadly beauty.
The Sevens, launched today on Secret Location’s website, is a multi-layered narrative experience will also live online at www.whatarethesevens.com and can be enjoyed on a number of levels: as a short film, an interactive game or a fully immersive mystery in which users can participate.
“The interactive film is the start of a larger narrative that we’ll continue to build on over the next year and beyond,” explains company founder James Milward. “A lot of the time the most experimental ideas we have aren’t appropriate or are too risky to hinge the success of our clients on. As a result, we built this experience as a sandbox for us to play in and experiment with ideas, techniques and technology in a way that will prove concept with real users.”
For the past four years, Secret Location has produced several experimental interactive experiences, including Rookie Blue: Interrogation Room, Stanfield’s Guy At Home and Endgame Interactive, which won an International Digital Emmy® in 2012. The Sevens begins with a phone call and contains three puzzles for viewers to solve. In a suburban home, a young girl named Julie is confronted with a series of mysterious symbols that, once arranged in a particular order, unlock a phone number and passcode. If users solve the puzzles and dial the number, they are taken deeper into the story’s narrative by being given a chance to solve one final puzzle in order to reveal an alternative ending.
“The nature of the story is that it keeps drawing you in further and further, making you more vulnerable. It’s the classic Alice In Wonderland rabbit hole scenario,” says Pietro Gagliano, creative director and partner at Secret Location. “We want people to feel shaken up by how deeply immersive the experience feels at the end.” The idea evolved from Secret Location’s portfolio launch four years ago. Set up as a Choose Your Own Adventure-type narrative, the site drove 120,000 people through the portfolio in the first three months. Incidentally, the designers posted a phone number on the bottom of the site for potential clients to call but visitors assumed it was part of the game. “We received nearly 100,000 phone calls in the first six months,” says Gagliano. “Suffice it to say, it was annoying but it did give us an idea and proved that people would call if we asked them to – or even if we didn’t ask them to.”
The team began brainstorming and writing The Sevens in November 2011 with writer/filmmaker José Avelino Gilles Corbett Lourenço and production began in February 2012. Now that it’s live, the creative team intends to grow the story, add new characters and create related content that can live on other sites, such as YouTube. Secret Location has already rolled out several real world elements connected to The Sevens. In tandem with the site launch, cryptic posters featuring characters from the film and chalk stencils of the mysterious symbols and the URL have begun appearing in select cities across North America, including Toronto, New York and Los Angeles. “We’d love to keep adding elements to this narrative,” says Gagliano. “That’s why we created an open invitation at the end of the experience for the user to contribute ideas.” “This is really not the end,” adds Milward. “It’s just the beginning of a growing story eco-system and mythology that we’re creating around The Sevens.”
About Secret Location: Secret Location is an Emmy® Award-winning interactive agency that launches products and solves problems through storytelling for brands, broadcasters and producers. Just four years old, the company is a three-time Webby Awards honoree, was shortlisted for a 2011 Cannes Lion and is a Gemini, AToMiC, Creativity International, CASSIES and Marketing Awards winner. Secret Location is based in Toronto, Canada, and is led by President/Executive Producer James Milward. http://www.thesecretlocation.com/
Credits: Created by Secret Location Executive Producer: James Milward Creative Director & Lead Designer: Pietro Gagliano Technical Director: Ryan Andal Project Manager: Ashlee Lougheed Art Director: Stefan Grambart Graphic Designer: Kai Salminen Editing & Motion Graphics: Steve Miller Assistant Editor: Michael Kazanowski Web Developers: Gino Fazari, Michael Phan, Paul Stodolak Music & Sound Design: Lodewijk Vos & Joseph Murray Cast– In Order of Appearance Dad: David Straus Julie: Elle McFeeters Dog: Pearl Mom: Jennifer Fullerton Written By: José Avelino Gilles Corbett Lourenço & Secret Location Directed By: José Avelino Gilles Corbett Lourenço Director of Photography: Henry Less Assistant Director: Billy Shand Line Producer: Luke Bryant Assistant Camera: Nick Giordano Gaffer: Dave Lewis Art Director: Michael Leach Set DResser: Dylan Jackson Sound Recordist: Edward Senkowski Hair & Makeup: Margot Keith Wardrobe Stylist: Sarah Millman Production Assistant: Derek Modesto Contributors: Adam Drake Adam Park Ann Marie Donnelly CJ Hervey Graham Budd Jenn Hartnoll Jory Krüspe Josh Manricks Kathryn Rawson Noora Abu Eitah Sabrina Saccoccio
Dana Carvey & Kevin Nealon as Hans & Franz join Aaron Rodgers in the newest State Farm commercial "Trainers." Aaron Rodgers is surprised at the gym when America’s favorite fitness buffs recognize him as the “Discount Double Check Guy”. See how they pump up his workout regimen to take savings to a whole new level.
Creative Credits: Advertising Agency: DDB, Chicago, USA Chief Creative Officer: John Maxham Group Creative Directors: Barry Burdiak, John Hayes Chief Digital Officer: Joe Cianciotto Group Business Director: Penn French Group Strategy Director: Gustavo de Mello Director of Production: Diane Jackson Executive Producer: Scott Kemper Producer: Luke LiManni Production Company: Hungry Man Director: Hank Perlman Editors: Grant Gustafson, Matt Walsh, Aaron Kiser, Patrick Casey, Craig Duncan @ Cutters Finishing: Rob Churchill, Daniel Pernikoff, Michael Anderson, Derek de Board, Michael Mazur, Casey Swircz @ Filmworkers
Translation has unveiled the second chapter of its ongoing brand campaign for Champs Sports with “Game Loves an Audience,” a dynamic new marketing program for the back-to-school season. Seizing on the pins-and-needles feeling of anticipation that comes along with every new school year, “Game Loves an Audience” is all about looking good, and wanting everyone to see it. The campaign reinforces Champs’ well-established “We Know Game” tagline with three :30 spots, daily content for Champs Sports’ social media channels, digital banners, and a custom digital hub.
“The first day back to school is more than just a day,” notes Translation CCO John Norman, “it’s the red carpet moment of the school year. It’s a reunion, a chance to try something new, and a special moment to stand out. It’s the perfect time for a brand like Champs Sports to help you show off your game with new kicks, stylish tees, and a fresh look.”
“Game Loves an Audience” is the follow-up to “Game Never Sleeps,” Translation’s summer campaign for the athletic footwear and apparel retailer. Each element of the new campaign – from the music, to the fashion, to the storylines of the individual films – is rooted in a commitment to cultural relevancy, continuing Translation’s overarching strategy of appealing to both the on- and off-field passions of the modern day student athlete. The new digital hub, allows users to rank the most #FirstDayWorthy gear in Champs’ colossal inventory of new styles with a contemporary “swipe-to-like” design.
“Translation, through its new brand work, has done an exemplary job of expanding on the idea of ‘We Know Game’,” explains Champs Sports Director of Marketing Scott Burton. “We’re showing that ‘Game’ is as much about athletic skill as it is about swagger and confidence in all other arenas. Moreover, the work is done through the lens of a high school athlete, making the impact and its meaning to our consumers relevant during this time of year when students are going back-to-school.”
Creative Credits: Brand/Client: Champs Sports Campaign Title: Champs Sports Back to School Campaign Spot Title: “Joy Ride,” “First Period,” “Practice” Launch Date: August 2014
Agency: Translation Chief Executive Officer: Steve Stoute Chief Creative Officer: John Norman President: Nils Peyron Executive Creative Director: Jay Berry Executive Creative Director: Marc d’Avignon Creative Director: Mat Jerrett Associate Creative Director, Copywriter: Matt Herman Associate Creative Director, Art Director: Matthew McFerrin Art Director: Adam Chang Copywriter: Greg Dyer Art Director: Allison Bulow Copywriter: Jameson Rossi Director of Content Production: Miriam Franklin Producer: Carole McCarty Assistant Producer: Monica Johnson Head of Brand Strategy: Tim Flood Strategist: Shon Mogharabi Music Supervision: Nick Pacelli VP Account Director: Daniel Mize Account Supervisor: Patrice Caracci Account Executive: Steven Molinari Asst. Account Executive: Jackson Brodie
Production Company: @radical.media, Los Angeles Director: Michael Lawrence Director of Photography: Alex Disenhof Executive Producer: Donna Portaro Line Producer: Scott Cunningham
Editorial Company: Cut + Run NYC Editor: Dayn Williams Assistant Editor: Katie Pehowski Post Executive Producer: Rana Martin Post Producer (“Joy Ride,” “First Period”): Olivia Chiu Post Producer (“Practice”): Ellen Lavery
Telecine Company: CO3 NYC Colorist: Damien Vandercruyssen Producer: Katie Andrews Assistant Colorist: Matt Paul
On line: Cut + Run Flame Artist: Joseph Grosso Assistant: Matt Dolven Producer: Julia Williams