Okay, so maybe I will never actually dress (or act) like Sable Starr, the "supergroupie" who, in the 1970s, was notoriously linked to such stars as David Bowie, Iggy Pop, and Johnny Thunders of the New York Dolls. I do, however, totally love this photo of her here:
Sable Starr and Iggy Pop
How great is that little ensemble? I love the hat and sunglasses, and the shirt is too cute. It's crazy to think that Sable Starr and other teenage girls flaunted their way onto the rock scene at as early as thirteen years old! They sure had guts.
I recently read an article entitled "Rock Groupies and Feminism" on Rachel Rabbit White's website, where I learned a lot about the "groupie babies" of the 1970s. Did you know that there was even a magazine (that ran for only five issues) centered around groupie lifestyle? The magazine was called Star, and you can find excerpts of it here.
I totally admire this chick for owning her style. She wasn't shy about taking risks or wearing something crazy to get attention, and that's pretty cool. I'm looking forward to reading more about Starr's very unique teenage lifestyle and her escapades across LA.
B&Q, the UK’s largest home improvement retailer, has launched a new advertising campaign informed by research that says over half of Britain’s homes have at least one unloved room. The TV, press, and online campaign, by Karmarama highlights the plight of Britain’s unloved rooms and shows how B&Q can help “turn the unloved into the unbelievable”. The TV ad, which has a voiceover by comedian Rob Brydon, shows families transforming neglected rooms in their homes. The soundtrack for the ad is a cover of the 1970s classic “Your Love Keeps Lifting Me Higher and Higher” performed by Pixie Lott exclusively for B&Q.
Credits: Project Name: B&Q Unloved Rooms Brief: Start a home improvement movement Client Name: B&Q Creative Agency: Karmarama Agency Producer: Caroline Connor Art Director: Sam Cartmell Copywriter: Sam Cartmell Creative Director: Sam Cartmell Planner (Creative Agency): Sid McGrath Director: Lalli Jonnsson Production Company: Kream Production Producer: Suzanne Reid DOP: Elli Cassata Post Production: Kream Editor: Spencer Ferszt @ Marshall Street Editors Audio/Sound Design: Grand Central Music by Pixie Lott, (Your Love Keeps Lifting Me) Higher and Higher
‘Not everything should be mobile’: a brave claim for a brand which is famous for being just that.
Nonetheless, it’s true – as our campaign to launch Vodafone Ireland’s ‘Home’ packages (unlimited broadband and unlimited landline calls) ascertains.
The spot celebrates home as the one place where you can truly be yourself – whatever that entails (in this case, some 1970s funk, spandex, exercise balls and grimaces).
Creative Credits: Project name: Vodafone Home Client: Anne Mulcahy, Head of Brand; Paula Murphy, Brand Operations; Sarah Hughes, Brand and Communications Manager; Emma Forde, Brand and Communications Manager Brief: Launch Vodafone Ireland’s ‘Vodafone Home’ plans Deputy Executive Creative Director: Vicki Maguire Creative Directors : Tom Chancellor, Simon Brotherson Creative Team (OOH ONLY): Tom Reas, Sander Vos Agency producer: Emma Fasson / Julia Parry Planner: Ruth Chadwick Account team: Katharine Easteal, Ayesha Datoo, Fay Taylor Media agency: OMD Media planner: Carolyn Odgers, Aoife Joyce Production company: Smuggler Director: Neil Harris Editor: Phil Currie Producer: Jason Scanlon Illustrator: Richard Hogg DOP: Theo Garland Post-production: Framestore Grade: Framestore Soundtrack composer: Austen Corbin Audio post-production: Wave
More than 2,000 years ago, China’s First Emperor built a burial complex guarded by a large terracotta army, intended to protect him in the afterlife. Now, some of those warriors are making the journey to Chicago’s Field Museum in their latest exhibition China’s First Emperor and His Terracotta Warriors, opening March 4, 2016.
The exhibition features more than 170 objects including stunning bronze artifacts, weaponry, and ten of the famed terracotta figures. Terracotta Warriors will introduce visitors to Qin Shihuangdi —China’s First Emperor—who united a country and built an army to last an eternity.
Around 7,000 of these six-foot-tall and taller warriors—significantly taller than men of the time—were found buried in three pits at the emperor’s tomb [Credit: Shaanxi Cultural Heritage Promotion Center and Emperor Qin Shihuang’s Mausoleum Site Museum]An Emperor’s Rise to Power and Lasting Influence
One of greatest archaeological finds of the 20th century, the terracotta army was created by Qin Shihuangdi, the First Emperor of China. His rise to power in 221 BC ended an era known as the “Warring States” period, during which China was composed of seven competing states and was marked by instability and broken alliances.
Emperor Qin Shihuang, depicted here, commissioned the giant tomb for himself before he died [Credit: Shaanxi Cultural Heritage Promotion Center and Emperor Qin Shihuang’s Mausoleum Site Museum]Qin Shihuangdi used an organized military, superior weapon technology, and a strong cavalry to defeat his enemies and establish a unified state. During your visit to the exhibition, you’ll discover crossbow bolts and a reconstructed wooden crossbow. This weapon revolutionized warfare, allowing archers to shoot nearly 900 yards, with less skill and strength than was needed for a bow and arrow. You will also encounter other weapons used by Qin military forces, including a long, chrome-plated sword, lance heads, dagger-axes, and spears.When the Terracotta Warriors were excavated from the emperor's tomb, starting in the 1970s, many were broken like these ones, and needed to be put back together by conservators [Credit: Shaanxi Cultural Heritage Promotion Center and Emperor Qin Shihuang’s Mausoleum Site Museum]Although the First Emperor’s reign was relatively short, he enacted several important innovations that left a lasting impression on China. Many of these are still evident today. He worked to strengthen his newly founded empire by building a great wall (the pre-cursor to China’s “Great Wall”) to protect his land in the north and west. In an effort to increase trade, he constructed new roads and canals and even regulated cart axles so that wheels uniformly fit the newly constructed roads.This archer, one of the guardians of the emperor’s tomb, likely once held a crossbow [Credit: Shaanxi Cultural Heritage Promotion Center and Emperor Qin Shihuang’s Mausoleum Site Museum]In order to rule effectively, a single currency, a standard form of writing, and a standardized system of weights and measures were all put into place. Examples of these innovations are all on display within the exhibition, including several Qin banliang (ban-lee-ang) coins—round coins each with a square hole—as well as a mold used to mass-produce these coins. This coin type became the standard form of Chinese currency for the next 2,000 years.
An Emperor’s Final Resting Place
Even though the Emperor made public improvements in his country, he was not without enemies; three unsuccessful assassination attempts increased his fear of death and drove his quest for immortality. With death constantly on the Emperor’s mind, and a desire to rule forever, Qin Shihuangdi began constructing a palace for his afterlife and instructed craftsman to make a terracotta army to protect him after his death.
The Chinese painted the Terracotta Army figures, but the pigments deteriorated over the years. Conservators try to preserve the remaining colors [Credit: Shaanxi Cultural Heritage Promotion Center and Emperor Qin Shihuang’s Mausoleum Site Museum]For more than 30 years, legions of workers contributed to this massive undertaking—some even paying with their life. Around this underground palace were representations of the Emperor’s officials, warriors, buildings, parks, and animals—everything he would need to carry on his rule without end. The First Emperor even included what are believed to be acrobats, musicians, and exotic animals in his tomb to provide entertainment.Each warrior has a unique face and hairstyle due to different molds and details added by hand postconstruction [Credit: Shaanxi Cultural Heritage Promotion Center and Emperor Qin Shihuang’s Mausoleum Site Museum]After the Emperor’s death, the terracotta warriors, generals, and others lay buried until 1974, when a farmer digging a well discovered them. Although the tomb itself was known historically and was visible on the landscape, the vast burial complex surrounding the site had been unknown until then. Archaeologists began work excavating the site, a process that continues today. Hundreds of pits, covering an area of nearly 22 square miles, have been located so far, and it is estimated that more than 8,000 figures were buried at the site.Chariots were an important part of China's army during the emperor's reign—hence the more than 130 models like this one discovered in the Terracotta Army pits [Credit: Shaanxi Cultural Heritage Promotion Center and Emperor Qin Shihuang’s Mausoleum Site Museum]Terracotta Warriors has nine full-size human figures, including several warriors, a general, an acrobat, and an official, on display as well as one life-size horse. Although most of the clay figures have lost the bright hues of their original paint and only provide faded glimpses of the way the army looked during the Emperor’s lifetime, you will encounter two replica warriors, painted in the vivid purple, teal, and red that the terracotta army wore.
Excavations continue today, but the central tomb of Qin Shihuangdi remains sealed. Stories tell of a celestial ceiling mapped out in pearls and a mercury river, but none of these written accounts have been confirmed. Visitors to the exhibition will learn about the scientific investigations hoping to shed light on the mysteries of the tomb.
China’s First Emperor and His Terracotta Warriors was organized by The Field Museum in partnership with the Shaanxi Provincial Cultural Relics Bureau, Shaanxi Cultural Heritage Promotion Center and Emperor Qin Shihuang’s Terracotta Army Museum of the People’s Republic of China. Major sponsors: Discover, Exelon, United Airlines.
China's First Emperor and His Terracotta Warriors is currently showing at The Field Museum, Chicago, and will run until January 8, 2017.
