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The Maya are one of the oldest cultures in the world. This exhibition is all about the magnificent artistic forms of expression of the Maya. With a collection of around 300 works of art, including many Mexican national treasures, it displays the fundamental aspects of pre-Hispanic art: the body and the physique are central to this exhibition.

'The Maya – Language of Beauty' at the Martin-Gropius-Bau Museum, Berlin
The Maya present their vision of life using various materials and techniques from their daily life, splendid buildings and works of art. They describe their relationship with gods, their everyday existence, their literature, their astronomy, their music and their dances. What often dominates these works is an idealised notion of humanity, which the Maya retained not only in their conception of humans and the ideal of beauty, but also in the location of mankind in the cosmos.

In 2016, Mexico and Germany are organising a joint year of culture. The highlights include this Mayan exhibition with showpieces that are among Mexico’s most precious cultural assets. On the Yucatán Peninsula in the Gulf of Mexico, between 500 B.C. and 1500 A.D., they created a variety of the highest artistic forms in art too, and with reliefs, busts and figures made of stone or clay, they were far ahead of all the contemporary cultures on their continent.

Religion characterised their culture. To appease the gods, they subjected themselves to various rites, to which the cult of the body was central, as is demonstrated by numerous artefacts.

To achieve their ideal of beauty, they used the body as a “canvas”. They altered their physical appearance in many ways. This ranged from everyday methods such as hairstyles and skin colour to tooth jewellery, scars, tattoos and artistic modification of the body shape, which changed the appearance for life and stood as a visible expression of cultural identity and social belonging.

Clothing indicated the social status of a person. The majority of the population dressed simply: women wore a “huipil”, a kind of tunic, and men wore a loincloth. The noble dressed elegantly with artistically worked clothing, accessories such as belts, necklaces, head coverings, and breast and head ornaments set with precious stones and feathers, as can be seen in quite a number of the artefacts.

The Maya regarded the differences between the human and animal kingdoms as part of their world view, which was based on complementary contrasts: life and death, humankind and nature, human and animal. They believed animals possessed supernatural powers and could speak and think. Those who reigned reinforced their power by attributing special abilities to themselves, which enabled them to leave their body at night and move freely in the form of incredible animal-like beings.

The Maya worshipped many gods and shrines. They believed everything originating from unexplainable and fearsome natural phenomena as well as the material and spiritual were an expression of all existence. The representatives of these deities possessed human characteristics with imaginative components; the overlaying of various gods resulted in contrasting manifestations. Like nature itself, they were able to be male and female, young and old, animal and human, creative and destructive at the same time.

The enigmatic writings of the Maya have recently been decrypted, the ruling dynasties are known, number systems and calendar calculations have been investigated, and yet the Mayan Indians, of which eight million remain today, are still shrouded in mystery.

The exhibition will run until 7 August 2016.

Source: Martin-Gropius-Bau [July 12, 2016]

Kenco’s TV ad about how we’re helping young people in Honduras stay out gangs by teaching them to become coffee farmers. UK coffee brand Kenco takes on the gang epidemic in Honduras with a cinematic new :60 cut by Whitehouse Post Editor John Smith via JWT London.

Directed by RSA’s Johnny Hardstaff, the daring spot sheds light on a real social issue in Honduras, a country which reportedly has some of the world’s most dangerous slums. The spot is part of a new Kenco “Coffee vs Gangs” initiative that aims to target 20 young people in order to help them receive the education and training necessary to become coffee farmers.

Creative Credits:
Client: Mondelez International – Kenco
Title: “Tattoos”

Agency: JWT London
Executive Creative Director: Russel Ramsey
Creative Director: Jaspar Shelbourne
Copywriter: Jess Oudot
Art Director: Matt Leach
Account Directors: Adrian Ash, Emma Howarth, Patrick Netherton, Angus Flockhart
Account Planners: Neil Godber, Helen St. Quintin
Producer: Carley Reynolds
Assistant Producer: Lula Boardman

Media Agency: PHD
Account Planners: Sarah Nugent, Rebecca Stafford

Production Company: RSA
Director: Johnny Hardstaff
Executive Producer: Annabel Ridley

Editorial Company: Whitehouse Post
Editor: John Smith
Executive Producers: Lisa Kendrick, Bebe Evwaraye

Post-production, VFX: Absolute

Music: Eclectic
Composers: Colin Smith, Simon Elms

Sound Design: Greek Street Studios
Sound Designer: Dan Weinberg
via: Trust