ShowBusinessMan [Search results for music videos

  • Music Makes More Milk — Really it Does

    Music Makes More Milk — Really it Does

    Studies show that if cows like a song they can produce more milk. Can you create a song that cows will love? If you answered yes then have we got a contest for you! Read on my cow loving music making friends and when your done be sure to head over to www.musicmakesmoremilk.com and make some music.

    MORE COWBELL! BC Dairy Association Explores Connection between Music and Milk Production
    British Columbians to Compose Songs for Dairy Cows in New Online Challenge

    The BC Dairy Association invites British Columbians to try their hand at composing original music for a burgeoning new audience of aficionados: milk producing dairy cows.

    Developed by DDB Canada and its integrated groups Tribal DDB Vancouver, DDB Public Relations and OMD Vancouver, the online initiative entitled Music Makes More Milk takes as its basic premise a common observation among dairy farmers that cows respond positively to music.

    “Over time, BC dairy farmers get to know their cows well. They understand their behaviour, their moods, their likes and dislikes,” says Dave Eto, executive director, BC Dairy Association. “One thing they’ve come to learn is that happy cows produce more milk.”

    Music Makes More Milk contestants will use an online music composition tool to create original songs to play for the cows. The tunes of semi-finalist contestants — determined through a public voting system — will have their compositions played directly to cows on a BC dairy farm. Videos of the cows reacting to each shortlisted song will be shared online on November 7, 2012. Ultimately, it is the cows that will serve as the final judges of the contest, identifying an overall winner based on the highest milk production achieved while listening to the five finalists’ compositions. Music-related prizes will be awarded to 15 semi-finalist and five finalists, and the winning contestant will also receive a trip for four to the 55th Annual Grammy™ Awards in Los Angeles.

    “You don’t need to be an accomplished composer to participate. The music composition tool was developed for all ages and music skillsets,” explains Dean Lee, creative director, DDB Canada. “As an added incentive to purchase and drink more milk, contestants can enter UPC codes on milk products to unlock additional sound effects and instruments to include in their composition.”

    The online initiative is being supported with media relations, social media cultivation and a paid-media program with Global TV BC and Slice.ca.

    In order to prime the cows for the contest, an accomplished quartet of classically trained musicians – led by Coast Symphony Orchestra conductor Edette Gagné– visited the Fraser Valley’s Valedoorn Farm yesterday and performed an “opening act” of Mozart numbers.

    The six-week Music Makes More Milk contest launches to the public on Wednesday, October 10th, 2012 and the final winner will be announced on Monday, November 26th, 2012. Everyone is welcome to submit a tune at www.musicmakesmoremilk.com, but only British Columbians may enter the contest...The rest of Canada is not happy about that!

  • Ikea's First Music Video-Style Ad "Playin' With My Friends"

    Ikea's First Music Video-Style Ad "Playin' With My Friends"

    Ikea just launched its first music video-style commercials in the UK, and the adverts look great. The first, released to day is "Playin' With My Friends", Ikea says the ad is about bringing people together the party season and they do a good job of it.

    Peter Wright, marketing manager for UK and Ireland at Ikea, said he plans to completely "transform and revitalize" the brand in the UK with its latest ads taking on the form of "music videos". He went on to say, "[Ikea is] moving from talking about products to talking about activities in the home. It's actually going to be done in the style of music videos. They're all up and coming artists so there will be a series of up and coming re-recording of tracks."

    We'll be looking forward to seeing more this campaign, full credits and song/music artist to come.

    See the behind scenes making of the advert HERE and meet Darren The Bear.

    Updated: The music is a remake of the song "Playing With My Friends" by BB King and Robert Cray.
    Credits:
    Creative Ad Agency: Mother, London
    Director: Dougal Wilson
    Production Co.: Blink
    Producer: Ewen Brown
    Editor: Ed Cheesman
    Editing House: Final Cut
    Post Production: MPC

  • YouTube Blog: Ads that entertain: YouTube’s top spots of 2011

    YouTube Blog: Ads that entertain: YouTube’s top spots of 2011

    YouTube Blog: Ads that entertain: YouTube’s top spots of 2011
    We always knew people liked to watch the ads. At least some ads, like the great ones people talk about after the Super Bowl. Then YouTube came along in 2005 and brought with it the notion that ads can be great content that earn their way onto screens of all types, spread by consumers who vote, share, like, comment, blog, plus-one, or even create response videos or spoofs.

    YouTube is the ultimate meritocracy for video, and advertisers are adapting to this world by creating content that people want to share. It’s no surprise, for example, that among the top-10 most-watched ads on YouTube in 2011 are two Super Bowl ads.

    Most watched video ads of the year (eliminating music videos and trailers):
    1. VW — The Force

    2. T-Mobile — Royal Wedding

    3. Chrysler — Imported From Detroit

    4. DC Shoes — Ken Block's Gymkhana Four: The Hollywood Megamercial

    5. smartwater — Jennifer Aniston goes viral

    6. Team Hot Wheels — The Yellow Driver's World Record Jump

    7. Old Spice — Scent Vacation

    8. Apple — Introducing Siri on iPhone 4S

    9. Samsung — Unleash Your Fingers

    10. adidas — D Rose: adiZero Rose 2 The Bull

    What is surprising is that the majority of YouTube’s top “ads” of 2011 (seems strange to call them that) never appeared on traditional TV at all.

    Videos like T-Mobile’s Royal Wedding, itself a spoof of the JK Wedding Dance, were made for the web and made to amuse, entertain, and to be passed around, as are mini-movies like DC Shoe’s Gymkhana Four, stunts like Hot Wheel’s record jump, and Old Spice’s “Scent Vacation.”

    Even the two Super Bowl ads making the list, Chrysler and Volkswagen, were part of elaborate campaigns made to live significant lives on the web. In the past, advertisers treated their Super Bowl spots like state secrets, but Volkswagen posted “The Force” on YouTube two weeks before the Super Bowl last year, and had 10 million views before the game began. Chrysler took the opposite approach, but created a video four times the length of a typical TV ad, perfect for extended watching on the web after the game.

    For brands, creating great content—advertainment, if you will—isn’t just for big TV events like the Super Bowl anymore. Increasingly, advertisers and their agencies are focusing on the content and the strategy, and letting that content distribute itself. That doesn’t mean they aren’t doing traditional advertising. Indeed all of these campaigns were backed up by significant spending to seed and promote these videos on YouTube and elsewhere. But paid media only gets you so far. In the end, it doesn’t matter if they paid $3 million for 30-seconds in the Super Bowl or much less to get the conversation started. In the end, it’s the content that counts.

  • Snoop & DeStorm "Pocket Like It's Hot" Rap For Hot Pockets

    Snoop & DeStorm "Pocket Like It's Hot" Rap For Hot Pockets

    Hot Pockets and Snoop team up and create the ultimate music video rap with "Pocket Like It's Hot".

    The irresistibly hot music video to end all music videos — "Pocket Like It's Hot", featuring Snoop, DeStorm Power, Andy Milonakis, Herbie Hot Pockets®, and WWE® Superstar Brodus Clay, brought to you by HOT POCKETS® brand sandwiches. Lots more info and on the company Facebook app page.

    I know what you thinking, don't you wish you had the lyrics to the rap...done.

    Lyrics:
    Hungry kids in the crib ma
    Pocket like it's hot
    Pocket like it's hot
    Pocket like it's hot
    When the craving's got a hold of you
    Pocket like it's hot
    Pocket like it's hot
    Pocket like it's hot
    And yo munchies get a attitude
    Pocket like it's hot
    Pocket like it's hot
    Pocket like it's hot
    I've got the pockets in my arms
    Settin' off smoke alarms
    And I eat 'em smokin hot
    'Cause I got it going on
    -
    I'm a hot dude, with some hot dreams
    Getting fired up, letting off steam
    Everybody showing love — Herbie's in da tub
    Checkin' applications for the Hot Pockets fan club
    Pepperoni pizza, much better than some fish eggs
    The interior too hot let it cool off for a few secs
    I'm running for the taste, that can be my phys ed
    Chompin Hot Pockets, that's how you get ahizzead
    Winners get the meaty meats,
    Winners get da cheesy eats
    The tag-team meal that's too hot for TV
    Get off my pockets, you gotta backup
    Yup that's whatssup, now sign the prenups
    Me and Hot Pockets never gonna splitup
    You should think about it.....take a second.
    -
    I bring the heat, but y'all knew that
    Da Big Sauce Boss, yeah, I had to do that
    I keep it fired up, even when I'm inside
    You take what's mine, then ya gonna have to run 'n hide
    He light 'em up so much that everybody talks
    They all wanna turn in his Hot Pockets Box
    Two, one, yep, three these Pockets are H O double T
    Smokey temps hitting that three thirty three
    If you can't stand it this hot
    Then you can't chill with me
    So bring your friends, we going on a wild ride
    Herb Sauce tender meats heat yo insides
    So don't change the dizzle, turn it up a lizzle
    Got some cheesy drizzle dripping on my shizzle
    Waiting on the brizzle's, the pizzle, the dizzle Gs, when da cheese hits your tongue it'll scream "Fo Sizzle"
    -
    Hungry kids in the crib ma
    Pocket like it's hot
    Pocket like it's hot
    Pocket like it's hot
    When the craving's got a hold of you
    Pocket like it's hot
    Pocket like it's hot
    Pocket like it's hot
    And yo munchies get a attitude
    Pocket like it's hot
    Pocket like it's hot
    Pocket like it's hot
    I've got the pockets in my arms
    Settin' off smoke alarms
    And I eat 'em smokin hot
    'Cause I got it going on

  • Keep Moving Projects with Alicia Keys and BlackBerry 10

    Keep Moving Projects with Alicia Keys and BlackBerry 10

    BlackBerry releases the second commercial featuring Alicia Keys, listen in as she enlists the help of her fans and her BlackBerry Z10 device to create her Keep Moving Project. She's collecting photos of her fans in every city she visits this year to create an amazing series of music videos. Follow her on this collaborative journey to determine what keeps all of us moving.

    Ironically the Alicia Keys (BB's Creative Director) spot uses the music and song from Machinarium, "Glass House With Butterfly" by Tomáš Dvořák.

  • Crash The Super Bowl is Back For 2013 In A Big Way

    Crash The Super Bowl is Back For 2013 In A Big Way

    Doritos recently announced the details of the seventh Crash The Super Bowl Ad Contest and as of today you can officially submit your ad! The 2013 Crash The Super Bowl VII should see some great consumer created ads considering this years grand prize winner is getting the opportunity to work with Michael Bay on the film "Transformers 4."

    Is your ad ready to be submitted? Check out the submissions already rolling in on the Doritos FaceBook App, more details below:

    What has become one of the most popular of all the Super Bowl Ads on game day are the finalist of the Crash The Super Bowl contest. Now the seventh year that Doritos is running the contest they kick it up big time by announcing this years winner has the opportunity to work with Michael Bay on the next installment of the “Transformers” movie franchise, along with a shot at a $1 million bonus!

    Bay who actually started his career in advertising had this to say: "...creating television spots and trying to make a name for myself, I can definitely relate to those who enter the Crash the Super Bowl contest," said Bay, who began directing commercials and music videos one week out of film school in 1989. "I know firsthand how challenging it can be to succeed in such a competitive industry, so I’m excited to help someone else truly make a name of their own."

    The contest invites people to use their own creativity to create homemade ads for the Doritos brand, the top two spots will air during the Super Bowl XLVII broadcast on Sunday, Feb. 3, 2013. One of the ads will be selected by America’s votes; the second by the Doritos brand team. The ad that ranks the highest on the USA TODAY Ad Meter rankings will be awarded the grand prize of working with Michael Bay, and if that ad lands at the top of the USA TODAY Ad Meter, Doritos will be handing its creator $1 million!

    The contest will run exclusively from a Crash the Super Bowl-branded app on the Doritos Facebook Page (www.facebook.com/DoritosUSA) for the first time. You can upload your 30 second commercial starting today Oct. 8, 2012 to Nov. 16, 2012. The app is designed to engage and socialize with consumers in a much broader way than in previous years with app features like a "Pitch In" tool that allows fans to interact with each other. The tool will also allow people to help ad creators by requesting or offering up props, talent and other items contestants might need to create their ads. The traditional toolbox is still available and loaded with the Doritos logos, product shots, music and animations for use in creating your ad. The gallery of submissions is already filling up.

    The top five ads will be announced in January 2013, awarded $25,000 and a trip to New Orleans to attend Super Bowl XLVII in a private luxury suite. Then it will be up to fans to vote for their favorite ad, where they will tune in to learn for the first time which two ads will compete for the top spot in the USA TODAY Ad Meter. Bonus prizing will be awarded, based on how each ad ranks on the USA TODAY Ad Meter:
    • No. 1 spot on the USA TODAY Ad Meter wins you a cool $1 Million
    • No. 2 two spot on the USA TODAY Ad Meter wins you a $600,000 prize
    • No. 3 spot on the USA TODAY Ad Meter wins you $400,000

    Ram Krishnan, vice president of marketing for Frito-Lay North America added, "Over the past six years, our fans have created thousands of Doritos ads, dominating the USA TODAY Ad Meter year after year and making Doritos the brand to watch on Super Bowl Sunday. Every year, our fans deliver for us, so this year we’re bringing them a contest grand prize that we know will be a true game changer. The opportunity to work on a blockbuster film like ‘Transformers 4’ is an experience we know will help catapult our lucky winner to the big time."

    Consumer-created Doritos ads have ranked in the top-five of the USA TODAY Ad Meter the last six years, and in three of the last four years scored the No. 1 ranking, the campaign is clearly one of the greatest ad campaigns ever created.

    Sponsored Post for CTSB

  • 2012 Google Zeitgeist The Year In Review

    2012 Google Zeitgeist The Year In Review

    Google this morning released its annual “Zeitgeist 2012: Year in Review” list and accompanying video that looks back at the most popular and fastest rising search terms of the year. To create the video, for the third year in a row, Google tapped LA-based creative agency, Whirled, and the company’s founder, Scott Chan as director.

    The goal of the Zeitgeist videos is to connect with people through the story and emotion of the year’s highlights, which in 2012 includes news making events and culture across politics, sports, pop culture, music and more that range from Felix Baumbarter’s supersonic free fall, the Olympics, elections around the world, Hurricane Sandy to pop music sensations, all in a less than three minutes. The Zeitgeist videos for 2010 and 2011, also created by Whirled, have become two of the most watched videos from Google.
    The 2011 Google Zeitgeist has had over 8 million views, see it HERE .

    1.2 trillion searches in 146 languages, What did the world search for in 2012?
    Visit Google's 2012 Zeitgeist here http://google.com/zeitgeist

    Credits:
    LA-based creative agency Whirled .
    Directed by Scott Chan.

  • The One That Got Away — Katy Perry

    The One That Got Away — Katy Perry

    We've never posted music videos here on Great-Ads, but "The One That Got Away" by Katy Perry had me all teary eyed I just had to do something with this beautiful song and video.
    Sometimes you promise someone forever but it doesn’t work out that way. Diego Luna stars as Colt, her young boyfriend, and Herman Sinitzyn as her future husband. Considering the video has over 16 million views on YouTube Vevo in less than a week since it's release, I'm not alone.
    Credits:
    Director:Floria Sigismondi
    Production: Black Dog Films
    Producer: Coleen Haynes
    Director of photography: Larkin Sieple
    Production designer: Jason Fijal
    1st assistant director: Scott Robertson
    Producer: Jannie McInnes
    Editor: Mikkel Nielsen
    Colorist: Dave Hussey at Company 3
    Stylist Johnny Wujek, hair stylist Pamela Neal, make up artist Jake Bailey, SFX hair/make up artist Dominie Till.

  • Beyoncé Shatter's Her Past In New "Mirrors" Pepsi Ad

    Beyoncé Shatter's Her Past In New "Mirrors" Pepsi Ad

    Watch Beyoncé create a fresh, never-before-seen dance routine as she Lives For Now in the newest commercial for Pepsi. In the new ad released today entitled "Mirrors," Beyonce is rehearsing in a dance studio when the mirrors begin to show her reflection dressed in costumes from a bunch of her past music videos. A history of Beyonce's is represented by each mirror image...

  • Episode II of BlackBerry 10 & Alicia Keys "Your City Your Video"

    Episode II of BlackBerry 10 & Alicia Keys "Your City Your Video"

    Episode 2 of BlackBerry 10 and the Alicia Keys Your City Your Video ad campaign is another yawner. Let's hope with the US launch of the BB Z10 in the coming weeks we will see more creative and exciting ads to match the new device.

    BlackBerry Global Creative Director Alicia Keys is enlisting the help of her fans and her BlackBerry Z10 device to create her Keep Moving Project. She's collecting photos of her fans in every city she visits this year to create an amazing series of music videos. Follow her on this collaborative journey to determine what keeps all of us moving.

  • Alicia Keys & the Keep Moving Projects with BlackBerry 10 — First Episode

    Alicia Keys & the Keep Moving Projects with BlackBerry 10 — First Episode

    Our first look at Alicia Keys as a BlackBerry 10 Global Creative Director. Keys is enlisting the help of her fans and her BlackBerry Z10 device to create her Keep Moving Project. She's collecting photos of her fans in every city she visits this year to create an amazing series of music videos. Follow her on this collaborative journey to determine what keeps all of us moving.

  • Arby's Ask Canadians To "Believe The Unbelievable"

    Arby's Ask Canadians To "Believe The Unbelievable"

    To prove how unbelievable Arby’s new Hot Turkey or Roast Beef Three Cheese & Bacon sandwich truly is, Blammo has enlisted the help of real people who’ve experienced UFO sightings, ghosts, or other paranormal activity. Through a series of documentary-style videos, we meet these individuals and hear their amazing supernatural tales. When each is asked about the new Three Cheese & Bacon from Arby’s, they simply can’t believe a sandwich like this actually exists.

    Numerous individuals with tales of UFO, ghost, and Big Foot sightings were screened and interviewed prior to the selection of the final participants. The campaign was directed by Suneeva’s Shelley Lewis.
    “Although we didn’t have the biggest budget for this particular promotion, we didn’t let that dictate our approach,” says Andrew Simon, Chief Creative Officer, Blammo. “Thanks to our amazing production partners we made the impossible possible.”
    The Three Cheese & Bacon sandwich will be available in all Arby’s locations starting October 1st. Media includes in-store signage and digital support. The videos will be disseminated through Arby’s Facebook page and other social media channels.
    Credits:
    Client: Arby's
    Campaign: Believe the Unbelievable
    Titles: "Stafani & Wayne", "Paul", "Edd", "Seika"
    Ad Agency: Blammo
    Chief Creative Officer: Andrew Simon
    Writers: Andrew Simon, Grant Cleland, Hannah Gourevitch, Amanda Tucci, David Taller
    Art Director: Grant Cleland
    Agency Producer: Gord Cathmoir
    Account: Amy de Merlis
    Production Company: Suneeva
    Director: Shelley Lewis
    Director of Photography: Todd M. Duym
    Line Producer: Kristina Anzlinger
    Editor: Michelle Czukar
    Editorial Company: Panic & Bob
    Online: Andrew Hobbs/Panic & Bob
    Sound Design & Music: RMW Music

  • David Beckham shines in Google Plus Video

    David Beckham shines in Google Plus Video

    A look at sports icon David Beckham's international appeal on the web via a pretty nice video courtesy of Google+. The spot is similar to other videos from "The Web is What You Make of It" ad campaign, the film shows off a suite of Google+ products that all allow Beckham to connect with fans all over the world.
    The song in the commercial is David Guetta, "Without You."

    Credits:
    Agency: Whirled
    Client: Google Plus
    Director/Writer: Scott T. Chan
    Producer: Bobbie Wang
    Exec. Producer: Andrew Schulte
    Art Director: Chris Crutchfield
    Clips courtesy of UNICEF, Fremantle Media, TelegraphTV, Pepsi, ACMilan (youtube.com/ACMilan), Sainsbury's. Music courtesy of EMI Music.

  • 85 Seconds Of Pure Awesomeness for Getty Images

    85 Seconds Of Pure Awesomeness for Getty Images

    Getty Images touches people in a new campaign created by AlmapBBDO. It gives continuity to the awarded campaign "From Love to Bingo" to divulge the videos from the image bank that is the world leader in the creation and distribution of visual content.

    Credits
    Advertiser: Getty Images
    Title: 85 seconds
    Product: Video Stock
    Ad Agency: AlmapBBDO
    General Creative Director: Marcello Serpa, Luiz Sanches
    Creative Director: André Kassu, Marcos Medeiros, Renato Simões e Bruno Prosperi
    Creation: Marcos Kotlhar, Sophie Schoenburg
    Agency Producer: Vera Jacinto, Rafael Motta, Charles Nobili
    Production Company: ZOLA
    Director: João Simi e Marcos Kotlhar
    Head of Art: Gustavo Vockos
    Research: Marcos Kotlhar, João Simi, Procuradoria de Filmes, Beto Araújo, Sacha Bastos, Gustavo Vockos
    Motion: Marcos Kotlhar, João Simi, Daniel Lemos, Rafael França
    Music: Satélite
    Music Producer: Kito Siqueira, Roberto Coelho
    Editor: Beto Araújo e Sacha Bastos
    Executive Producer: Jimmy Palma
    Post Production: CLAN vfx
    Project Manager: Markinhos Fagundes, Claudio Costa
    Production: Amelinha Lobo, Pedro Bueno
    Account Supervisor: Cristina Chacon, Tássia Massumi Nishida
    Media: Paulo Camossa, Patricia Moreton
    Advertiser's Supervisor: Renata Simões

  • Episode 1 of The @&!% Girls Say

    Episode 1 of The @&!% Girls Say

    Having grown up around women, Kyle Humphrey and Graydon Sheppard have a keen ear for the things that only girls say. One day, after throwing around a few of these phrases, the pair decided to start a Twitter account documenting them.
    The tweets come from the girls in their life and on the street, overheard on the subway or at the mall. When the twitter account started gaining a loyal following of girls and the guys that admire them, it seemed only natural to turn the tweets into short videos.

    Juliette Lewis was an early supporter of the site and often Tweeted and retweeted the feed, and since she is in Toronto shooting a television series, it seemed like a perfect opportunity to approach her to be a part of it, and the pair were thrilled when she agreed to come out for the videos. In the coming weeks you can expect to see more episodes and more Juliette Lewis. @shitgirlssay has been live since April 2011 and has more than 50,000 followers to date. http://twitter.com/shitgirlssay

    Credits:
    Director: Graydon Sheppard
    Producer: Nick Sorbara
    Executive Producer: Jacinte Faria at Hard Citizen
    Cast: Juliette Lewis, Graydon Sheppard
    Director of Photography: Jonathon Cliff
    Assistant Director: Aleysa Young
    Assistant Camera: Jonathan Staav
    Sound Recordists: Scott Tremblay, Jeff Scheven
    Music: "And The Bells They Rang" by Find The Others

  • Jeep Italia Tells A Story Of 3 Creative Women Who Love Surfing In Part 1 Of Girls Girls Girls

    Jeep Italia Tells A Story Of 3 Creative Women Who Love Surfing In Part 1 Of Girls Girls Girls

    The Onde Nostre Crew opens the new year with two episodes dedicated to women!
    Luca Merli, Gio Barberis and Matteo Ferrari film an on the road documentary in the female universe, together with Amanda Chinchelli, Betta Dal Bello and Natalia Resmini — Three friends with creative careers and a passion for surfing.

    The episodes tell the story of a fashion designer, a stylist, and an illustrator, each bound by the surfing sisterhood and a deep friendship. They show us the many faceted ways that women confront the sea, and the energy with which they live.If there's anyone out there who still thinks surfing is just for guys, here's proof that will make you think twice! Onde Nostre's girls shine under an Italian September sun: Three different styles, perfectly blended, traveling between waves with thoughts on friendship, freedom, and future.
    RITRATTI DI SURF is a series of short videos about surfers, shapers, artists and other characters somehow connected to Onde Nostre and the italian surf culture.
    Credits:
    Directed by Luca Merli
    Edited by Giovanni "Sbrokked" Barberis and Luca Merli
    Photography by Luca Merli, Giovanni "Sbrokked" Barberis, Matteo Ferrari.
    Lettering by Luca Barcellona
    Music Consultant & Marketing: Gabriele "Gabro" Minelli

    Music (In order of appearaces):
    Le Man Avec Les Lunettes '4 Notes'
    Guts 'Mi Isla Tropical'
    Karibean 'Rainbow Girl '
    Garden of Alibi 'Herman'
    Karibean 'God Bless The Summer'

  • Feed The Lobster "Costumes" Spot For Killing My Lobster — Help Them Save Their Balls Wont You

    Feed The Lobster "Costumes" Spot For Killing My Lobster — Help Them Save Their Balls Wont You

    Here is a great new spot created for non-profit Killing My Lobster's annual fundraising appeal. Isn't it refreshing how sometimes simplicity can be so brilliant.

    The Lobster Theater Project, better known as Killing My Lobster (KML), provides artists with the opportunity to generate and produce performance art across a range of disciplines that provokes, amuses, educates, entertains, and inspires. KML is committed to producing high quality, relevant and smart comedy that draws upon San Francisco for inspiration and is a reflection of its non-traditional audience.

    Written by Ken Grobe & Miriam Wilson; directed by Ken Grobe. The music was composed and performed by Joshua Sitron, who also composed the theme songs for TV shows "Dora the Explorer" and "Allen Gregory"

    This spot was shot with the assistance and facilities of SF ad agency Goodby Silverstein & Partners.

    Killing My Lobster is a 15-year-old San Francisco-based sketch comedy theater company, making it SF's largest and longest-lived company of its type. To place it in context: LA has the Groundlings, Chicago has Second City, and San Francisco has KML.

    Once a year in December KML does a drive for donations. "Costumes" was one of the two videos created to promote that drive.

    Everyone involved, from the actors to Josh Sitron to the Goodby folk, donated their time and resources to produce the spot.

    Creative Credits:
    Directed by Ken Grobe
    Written and Produced by Ken Grobe and Miriam Wild-Smith
    Camera work by Eric Herron and Chris Parisi
    Edited by Chris Parisi
    Featuring: Andy Alabran, Allison Johnson, Calum Grant, Paco Romane, Shaye Troha, Sabina Piersol, Todd Brotze, Jon Wolanske
    Music by Joshua Sitron
    Production Assistants: Reed Kavner & Sabina Piersol

    Special thanks to Moe Beitiks, Samantha Schireson, Goodby Silverstein & Partners, and Jon Wolanske

  • A Message from the False Advertising Industry in "Only Organic" New Campaign

    A Message from the False Advertising Industry in "Only Organic" New Campaign

    New Campaign Highlights Organic Benefits and Debunks Misleading “Natural” Claims. The trio of video/ads were developed by the recently launched agency Humanaut with help from advertising icon Alex Bogusky.

    A public education campaign was launched today to highlight the benefits of organic food and to help consumers understand the difference between products labeled organic and those that are labeled as “natural.”

    “Foods made with the use of toxic persistent pesticides and even genetically engineered ingredients are being labeled as natural,” said Gary Hirshberg, Chairman of Stonyfield Farm. “Only organic guarantees that food is produced without the use of toxic persistent pesticides, hormones, antibiotics or genetically engineered ingredients. Only organic gives you complete piece of mind.”

    The videos help consumers understand the how the “natural” label can be used to confuse shoppers. The videos were developed by the recently launched agency Humanaut with help from advertising icon Alex Bogusky.

    Organic foods are subject to stringent environment and animal welfare standards enforced by United States Department of Agriculture.

    While the Food and Drug Administration and USDA discourage companies from including “natural” claims on processed foods containing synthetic or artificial ingredients, there is no official definition of “natural” and little enforcement of misleading claims.

    “Only organic is produced in a way that Mother Nature would recognize as natural,” said Sarah Bird, Chief Marketing Officer for Annie’s, Inc. “Many products that claim to be “natural” are made with ingredients you couldn’t find in nature – including artificial flavors or colors, synthetic preservatives, high fructose corn syrup, and genetically engineered ingredients.”

    Natural claims have been added to everything from cooking oils made from genetically engineered crops to ice cream made from cows pumped full of growth hormones.

    “Many consumers mistakenly believe that foods labeled as ‘natural’ are better than food that has been certified as organic,” said Lewis Goldstein, Vice President of Brand Marketing at Organic Valley. “Organic food starts with organic farming, from the ground up. Only organic is subject to tough, enforceable standards created by the USDA designed to insure that our families can count on their food being produced in ways that protect their health, the environment, and the welfare of farm animals.”

    The public education campaign is being launched by Organic Voices, a non-profit organization, and is supported by organic companies and other companies, including AllergyKids, Annie’s, Earthbound, Happy Family, INFRA, Late July, Nature’s Path, NCGA, Organic Valley, Rudi’s, and Stonyfield.

    “Many products carry the ‘natural’ claim when there is nothing natural about them,” said Darren Mahaffy, Vice President of Marketing at Nature’s Path Foods. “As a result, many consumers are buying products they think are the same – or even better – for their families and the environment than organic.”

    A recent survey found that consumers commonly believe that “natural” foods do not contain artificial ingredients.

    “The public needs new tools to understand the benefits of organic and to be able to distinguish between organic foods and all other unverified claims,” said Laura Batcha, Executive Director of the Organic Trade Association.

    Organic Voices works to educate and empower consumers by promoting the benefits of organic food.

    Creative Credits:  
    Advertised brand: Only Organic
    Spot Title: The Natural Effect
    Advertising Agency: Humanaut
    Creative Advisor: Alex Bogusky
    Creative Director: David Littlejohn
    Art Director: Stephanie Gelabert
    Art Director: Chad Harris
    Copywriter: David Littlejohn
    Copywriter: Jason Corbin
    Production Company: Fancy Rhino, Chattanooga, TN
    Director: Daniel Jacobs
    Producer: Katie Nelson
    Production Designer: Chad Harris
    Director of Photography: Andrew Aldridge
    Editor: Andrew Aldridge
    Music Company: Skypunch Studios, Chattanooga, TN
    Composer: Carl Cadwell
    Media Strategy: Ikon3

  • Scion FR-S "Bringing the Sport Back to the Car" TV Commercial

    Scion and global creative agency ATTIK are literally putting the pedal to the metal in the youth-focused automotive brand's national cross-media launch campaign for the all-new, 200hp, rear-wheel drive 2013 Scion FR-S sports coupe. Today, the brand and agency executives are very proud to detail their new "Driving is Back" campaign, which is currently debuting numerous advertising placements across the country. "Scion is extremely excited about the launch of the FR-S," said Jack Hollis, Vice President, Scion. "The rear-wheel drive sports car is the brand's halo car that pound-for-pound and dollar-for-dollar, is igniting the passions of a whole new group of driving enthusiasts.

    Together with our partners at ATTIK, we are absolutely thrilled to kick-off the campaign inviting everyone to rediscover the fun of driving with the FR-S." "In this campaign, the radical new FR-S itself is first and foremost," began ATTIK co-founder and executive creative director Simon Needham. "To us, there are very few exciting cars out there that are also practical on some level… and the FR-S gets great gas mileage while maximizing performance. So naturally, our campaign demonstrates the power and handling of this amazing car – most often in the hands of drifting champ and renowned racing driver Ken Gushi, who drove the car in many of the exciting driving scenes. Across every campaign facet, our overall goals are to excite, inspire, drive people to explore the FR-S online and get them into dealerships and behind the wheel." The "Driving is Back" campaign was conceived by ATTIK's creative director Ron Lim, art director Mike Cornell and copywriter Andy Sciamanna, and its out-of-home elements are now live in 40 locations in 26 major U.S. markets.
    Today, the first of three: 30 spots will break… not only on young adult-targeted cable outlets where viewers are accustomed to seeing Scion ads, but also via NBCU syndication, and on NBC, Fox and every major sports network. First comes "Bringing the Sport Back to the Car," which will begin and end a three-month TV buy. Different campaign spots will appear between June 25 and August 5, and more video ads (all commercials and videos were directed by Needham) will run on the brand's social media channels and website well into September. In print, the first spreads will begin to appear mid-June in Sports Illustrated, Maxim, Motor Trend, and Men's Journal, among many others. Banner placements are also blanketing most standard and some new targets for the brand starting today. "Since the FR-S is Scion's biggest push into the sport coupe market yet, we wanted to extend our reach beyond our typical media channels," Lim explained. "This car already has a lot of buzz around it, and we are aiming to build on that excitement. Of course, television is still a powerful mass medium. We also chose mainstream automotive pubs for the first time. Our campaign is much heavier in details than usual as well. We're psyched about our specs and so are the automotive tastemakers; it was important to reach enthusiasts this time out. Andy and Mike really sold the experience of driving the FR-S." Lim also shared insights into some of the more innovative media tactics the campaign will introduce in July. "We're also using smartphone apps to invite readers to watch the FR-S in action through Digimarc codes embedded in the print. Using their smart phones, consumers will be able to peek under the hood of the FR-S and see it in action. This is a great way to feature the very emotional driving experience within a static print ad." According to Lim, Scion and ATTIK chose Digimarc technology due to its successful integration with the Sports Illustrated Swimsuit issue earlier this year, citing its track record, its powerful security features, and its ability to seamlessly present video as part of the agency's print ad, which is entitled Video Test Drive. That ad is scheduled to run in the July 9 issue of Sports Illustrated. Finally, Scion's and ATTIK's executives are also putting the finishing touches on a powerful iAd that will appear in targeted apps for the iPhone and iPad and allow viewers to view videos and explore more features of the FR-S in amazing detail.
    The brand and agency once again have many leading technology, creative, production and post-production partners to thank for their campaign contributions. Among those are commercial production company Blueyed Pictures, editorial company Lost Planet, CGI/VFX company Brewster Parsons, and music company Squeak E. Clean Productions. For ATTIK, additional credits include senior broadcast producer Patty Lum and senior account manager Michelle O'Hea, to name but a few.
    Credits:

    Client: Scion
    Advertising Agency: ATTIK U.S.
    Executive Creative Director: Simon Needham
    Creative Director: Ron Lim
    Art Director: Mike Cornell
    Copywriter: Andy Sciamanna
    Sr. Broadcast Producer: Patty Lum
    Production Company: Blueyed Pictures
    Director: Simon Needham
    Directors of Photography: Brooks Guyere, Daniel Ardilley
    Executive Producer: Jamee Natella
    Producer: Jon Goldberg
    Editorial Company: Lost Planet
    Editor: Saar Klein
    Executive Producer: Gary Ward
    Producer: Jaclyn Paris
    Graphics/VFX/Finishing Company: Brewster Parsons
    Executive Producer: Darcy Parsons
    Producer: Rebekah Koerbel
    CG Artists: Denis Gauthier, Vonetta Taylor
    Music/Sound Design Company: Squeak E. Clean Productions

  • Look It Up — CREA (The Canadian Real Estate Association) Ad Campaign

    Look It Up — CREA (The Canadian Real Estate Association) Ad Campaign

    Web searches, How To Videos, blogs and the rest of the Internet have us believing we can do anything by ourselves. But when it comes to something important like buying or selling a home, we're better off trusting an expert.

    Credits:
    Title — Look It Up
    Brand / Product — CREA (The Canadian Real Estate Association)
    Agency — UNION, Toronto, Canada
    Agency URL -http://www.unioncreative.com/
    Executive Creative Director — Michael Murray / Lance Martin
    Senior Art Director — Mark Scott
    Copywriter — Gerald Kugler
    Agency Producer — Alina Prussky
    Director — Blue Source
    Executive Producer — Scott Mackenzie
    Production Company — Radke Film Group
    Producer — Donald Taylor
    DP — Mattias Montero
    Editorial — Aaron Dark / School Editing
    Music — Black Iris / RMW