ShowBusinessMan [Search results for human rights

  • Behind the Scenes film for Amnesty International Award Winning "Pens" Spot

    Behind the Scenes film for Amnesty International Award Winning "Pens" Spot

    Uncover the secrets behind Troublemakers.TV award-winning film for Amnesty International directed by Onur Senturk through this making of.

    Amnesty International in collaboration with its agency TBWA Paris are back. Directed by Onur Senturk and co-produced by Troublemakers.tv and the studio One More, Pens is a full CG film shot in motion capture (Mocaplab) that epitomises the potential of each signature in the defence of human rights. Highlighting that the voice of a single person can bring about the birth of a social movement, the film concludes with the words “your signature is more powerful than you think” and features the song Iron Sky by Paolo Nutini. Through powerful imagery, Amnesty International has encapsulated the essence of its primary objective – inspiring communities to defend their fundamental human rights.

    Creative Credits:
    Client - Amnesty International
    Agency - TBWA Paris
    Vice President - Anne Vincent
    Account Management - Laure Lagarde
    Account Management - Isabelle Dray
    Clients - Bertin Leblanc, Arnaud Humblot
    Creative Director - Philippe Taroux
    Creative Director - Benoit Leroux
    Art Director - Ingrid Varetz
    Head of TV - Maxime Boiron
    Agency Producer - Amer Zoghbi
    Production Company - troublemakers.tv
    Director - Onur Senturk
    Producer - James Hagger
    Production Manager - Aurelie Chevalier
    Production Manager - Cecile Alvarez
    Production Assistant - Charles-Philippe Bowles
    1st Assistant Director - Thomas Bidart
    Motion Capture - Mocaplab
    Motion Capture Shoot Director - Remi Brun
    Motion Capture Supervisor - Frank Vayssettes
    Motion Capture Editor - Charles Fourgeront
    Motion Capture Assistant - Ahmed Turki
    Motion Capture Actor (Hero) - Romain Ogerau
    Motion Capture Actor - Franck Pech
    Motion Capture Actor - Charles Lelaure
    Co-Producer & Post-Production - One More
    Post Producer - Benjamin Darras
    Art Director - Johnny Alves
    Post Production Coordinator - John Meunier
    VFX Supervisor - Eddy Richard
    3D Artist - Francois-Xavier Gonnet
    Modelling, Setup - Gwenhael Glon
    Layout - Romain Durr
    Animation - Jérémie Vidal
    Layout, Lighting, Renders, Compositing - Jérome Rouvelet
    Layout, Lighting, Renders, Compositing - Thomas Rodriguez
    Layout, Lighting, Renders, Compositing - Tim Lebon
    Layout, Lighting, Renders, Compositing - Victor Besse
    R&D Supervisor - Alain Xerri
    Editor - Nicolas Larrouquere
    Additional Editing - Romain Bouileau
    Flame Operator - Hervé Thouement
    Music - Iron Sky by Paolo Nutini, Dave Nelson & Charlie Chaplin
    Music Art Direction - Philippe Mineur, Ferdinand Huet
    Sound Producer - Benoit Dunaigre
    Head of Music & Sound - Olivier Lefebvre

  • V. V. Putin

    V. V. Putin
    Putin

    Hello, Mr. Putin!

    The ad explicates the manipulation of journalists by Vladimir Putin’s government, showing human rights abuse in the Russian media landscape.

    Geo: Switzerland;
    Category: Public interest;
    Agency: Y&R;
    Brand: Reporters Without Borders;
    Advertising Agency: Advico Y&R AG, Zurich, Switzerland;
    Creative Directors: Markus Gut, Daniel Bieri, Thomas Engeli;
    Copywriter: Dieter Boller;
    Graphic Design: Vincent Schaublin.
  • The Cigarette That Saved Lives — The DNA Project

    The Cigarette That Saved Lives — The DNA Project

    An interesting take on cigarettes showcased here in a new commercial for the "DNA Project" entitled The Cigarette That Saved Lives.
    The DNA Project had the following to say about the ad campaign:
    Egg Films’ Bruno Bossi recently directed The Cigarette That Saved Lives, a controversial commercial for The DNA Project, a non-profit organisation raising crime scene awareness and fighting crime with science with the invaluable support of The Change a Life Trust. “It came as a surprise, as it does to most people, that we do not have the legislative framework in place to more fully use DNA profiling for crime scene investigation in our country,” says Bruno. In South Africa, the National DNA Database only has about 133 000 DNA profiles and there are only two South African Police Services labs that can perform DNA profiling on forensic samples.
    Conceptualised by Fox P2, The Cigarette That Saved Lives depicts another brutal South African murder but focuses on the evidence that’s left behind, encouraging viewers to never disturb a crime scene as DNA can convict. The ad is paradoxical: a cigarette saves lives in a commercial where the lead woman dies. “The wonderful thing about this ad is that it creates conversation,” says The DNA Project founder Vanessa Lynch. “Egg and Fox P2 have done a brilliant job.” Everyone involved with the shoot worked pro bono, from the crew to the rental houses. “This project struck me as one of the more worthwhile causes in our country,” says Bruno. The DNA Project would also like to thank the Change A Life Trust for helping by sponsoring this advert.
    Vanessa set up The DNA Project after her father’s murderers went free because DNA evidence left at the crime scene was discarded, destroyed and not properly collected. “There was only one chance to collect and preserve that evidence, and it was lost,” says Vanessa. “We can never go back, so that crucial link to my father’s killers was lost with it.”
    The Cigarette That Saved Lives is currently screening on local broadcasters as part of the 16 Days of Activism for No Violence Against Women and Children between 25 November (International Day for the Elimination of Violence Against Women) and 10 December 2011 (International Human Rights Day). “Awareness is one of our biggest problems,” says Vanessa. “You can have the laws and systems in place but you only have once chance to gather the evidence before it’s lost forever.”
    Credits:
    Advertising Agency: FoxP2, Cape Town, South Africa
    Agency Producer: Katherine Tripp
    Executive Creative Director: Justin Gomes
    Copywriter: Gavin Williams
    Art Director: Michael Lees-Rolfe
    Director: Bruno Bossi
    Director of Photography: Paul Gilpin
    Producer: Kirsten Clarence
    Post Production Company: Black Ginger
    Editing Company: Priest
    Editor: Matthew Swanepoel
    Music: Marc Algranti
    Music Publisher: Pulse Music NY

  • 'Icons: Refugees Heirlooms' at the Musee d’histoire de Nantes

    'Icons: Refugees Heirlooms' at the Musee d’histoire de Nantes

    The exhibition which opened on July 2 at the Musee d’histoire de Nantes, was organized in partnership with the Byzantine and Christian Museum in Athens, and offers a chance to discover the exceptional objects from the Refugee Treasures exhibition presented in 2009 in Athens, and a selection of items conserved in France that will be presented for the first time.

    'Icons: Refugees Heirlooms' at the Musee d’histoire de Nantes
    Refugees in the streets of Athens, photographed by the American Red Cross, in 1923 [Credit: ©Library of Congress]
    On July 24th 1923, the Treaty of Lausanne was signed, ending the war between Greece and Turkey that began in 1919. It is considered to be the last peace treaty of WWI and has been judged by some to be the only guarantee of lasting peace between Greece and Turkey. For others, it was a violation of Human Rights.

    The treaty imposed the exchange of civil populations and defined the terms of forced migration on both sides of the Aegean Sea. 1.3 million Greeks and 400,000 Muslims were forced to leave their homes, leaving their belongings behind.

    'Icons: Refugees Heirlooms' at the Musee d’histoire de Nantes
    Icon of Saint Catherine. Late 17th century [Credit: Byzantine and Christian Museum, Athens]
    At the moment of their exile, many of the Greek men and women of Asia Minor left with their religious icons, or those from their churches. These precious, sacred, or protective objects established a link between an old and a new country, between an old and a new life.

    Today, some icons in France act as a testament of a migration extending far beyond Greece’s borders.

    'Icons: Refugees Heirlooms' at the Musee d’histoire de Nantes
    Silver revetment of icon depicting St. George killing the Dragon. From a Smyrna workshop, 1878 [Credit: Byzantine and Christian Museum, Athen]
    Each one tells a story.

    Exhibition curator: Kiriaki Tsesmeloglou, member of the Icon Network association, restorer and conservator of painted works.

    The exhibition will run through November 13, 2016.

    Source: Musee d’histoire de Nantes [July 08, 2016]