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  • The horse: from Arabia to Royal Ascot at The British Museum

    The horse: from Arabia to Royal Ascot at The British Museum

    The history of the horse is the history of civilisation itself. The horse has had a revolutionary impact on ancient civilisations and this major exhibition explores the influence of horses in Middle Eastern history, from their domestication around 3,500 BC to the present day. Britain’s long equestrian tradition is examined from the introduction of the Arabian breed in the 18th century to present day sporting events such as Royal Ascot and the Olympic Games.

    Fragment of a carved relief featuring three horses drawing a chariot. From the north-west palace, Nimrud, Assyria (modern-day Iraq). Neo-Assyrian, 9th century BC. [Credit: BM]
    Important loans from the British Library, the Fitzwilliam Museum and the Royal Armouries, as well as rare material from Saudi Arabia, will be seen alongside objects from the British Museum’s exceptional collection, including famous pieces such as the Standard of Ur and Achaemenid Persian reliefs. Supported by the Board of Trustees of the Saudi Equestrian Fund, the Layan Cultural Foundation and Juddmonte Farms. In association with the Saudi Commission for Tourism & Antiquities.

    The domestication of the horse more than 5,000 years ago dramatically changed human history. Domestication is thought to have first happened on the steppes of South Russia with horses being introduced into the Middle East around 2,300BC. Before this introduction, asses and donkeys were used for transport, predominantly as harness animals pulling cumbersome but technologically advanced vehicles — as seen on objects found at the Royal Cemetery of Ur -but gradually horses became the means of faster transportation for these early societies.

    The exhibition includes one of the earliest known depictions of a horse and rider: a terracotta mould found in Mesopotamia (Iraq) dating to around 2,000 – 1,800 BC. Horses became a vital component in warfare and hunting, as reflected in the art of ancient Assyria, where elaborate and ornate horse trappings and ornaments were developed reflecting the prestige and status of horse, charioteer and rider.

    Riding became an essential part of society during the Achaemenid period (5th -4th century BC), a cylinder seal of Darius, dating to 522 – 486 BC shows the king hunting lions in a chariot, and famously, the Achaemenid’s introduced ‘post horses’ which were used to deliver messages on the royal road. The horsemen of the Parthian Empire (3rd century BC – 3rd century AD) were celebrated by Roman authors for the ‘Parthian shot’, in which an apparently retreating rider would shoot arrows backwards whilst on horseback. The renown of Parthian horsemen is shown in their representation on terracotta plaques and bronze belt buckles in the British Museum collection.

    Arabic, Persian, Turkish and Mughal miniature paintings, ceramics and manuscripts all attest to the growing importance of the horse in the Islamic world from the 7th century AD. Exquisite Mughal miniatures depict princes with their valued Middle Eastern steeds, horses that were famed for their speed and spirit. A magnificent Furusiyya manuscript, dating to the 14th century AD, on loan from the British Library, is a beautifully illustrated manual of horsemanship, including information on proper care for the horse, advanced riding techniques, expert weapon handling, manoeuvres and elaborate parade formations.

    The horse has a long history on the Arabian Peninsula, becoming an important cultural phenomenon and a noted part of the traditional Bedouin way of life. The ‘Arabian horse’ was developed through selective breeding, and with features including a distinctive head profile and high tail carriage, the Arabian is one of the most familiar horse breeds in the world. The exhibition includes ‘Gigapan’ panorama photography of rock art which show horses in scenes of various dates from sites in Saudi Arabia, as well as loans of objects from Qaryat al-Fau which include wall paintings and figurines.

    The importance of fine horses in the Middle East is explored through the fascinating Abbas Pasha manuscript (dating to the 19th century and on loan from the King Abdulaziz Public Library, Riadyh). This document is the primary source of information about the lineage of the purebred Arabian horses acquired by Abbas Pasha (the viceroy of Egypt) throughout the Middle East.

    The story of the Arabian breed of horse is examined in parallel to that of Wilfrid Scawan Blunt (1840-1922), poet and agitator, and Lady Anne Blunt (1837-1917), the granddaughter of Lord Byron. The Blunts travelled widely in the Middle East and established a celebrated stud for purebred Arabians, which was crucial for the survival of the Arabian breed, at Crabbet Park in Sussex, and another outside Cairo in Egypt.

    Horses, including Arabians had long been imported from the Middle East to Britain, but from the 17th century, three Arabian stallions in particular were introduced, which, bred with native mares, produced the Thoroughbred breed, now the foundation of modern racing; some 95% of all modern Thoroughbreds are descended from these three horses. Paintings and prints, trophies and memorabilia explore their remarkable success and their influence on sport and society, from early race meetings through to modern equestrian events.

    Faissal Ibn Abdullah Ibn Muhammad Al-Saud, Minister of Education and Chairman of the Board of Trustees of the Saudi Equestrian Fund said "It is well known that the horse has played a crucial role in the development of civilization, and that a close bond exists between horses and men. I am very pleased that it has been possible to support this exhibition in London which gives us an opportunity to look at different aspects of the history of the Arabian horse and the context from which it emerged."

    The exhibition runs until 30 September 2012 and is part of the celebrations for the Diamond Jubilee.

    Admission is free.

    Source: The British Museum [June 02, 2012]

  • Exhibition at Oriental Institute shows how ancient cultures commemorated the dead

    Exhibition at Oriental Institute shows how ancient cultures commemorated the dead

    All cultures throughout time have tried to honor and commemorate those they have lost. A new exhibit at the Oriental Institute Museum will show how the living cared for the dead, and how the ancients conceptualized the idea of the human soul in ancient Mesopotamia, Egypt and Israel/Palestine.

    Exhibition at Oriental Institute shows how ancient cultures commemorated the dead
    This stela with hieroglyphic text asks the living to leave food or to say prayers evoking
    food for a deceased man and his wife. (Egypt, ca. 2219–1995 B.C. OIM E16955)
    [Credit: Anna R. Ressman/Oriental Institute Museum]
    The exhibit, “In Remembrance of Me: Feasting with the Dead in the Ancient Middle East,” opens to the public April 8. The show is built around two themes: the regular offering of food and drink to nourish the dead in the afterlife, and the use of two- or three-dimensional effigies of the dead, often made of stone, to preserve their memory and provide a means of interaction between the living and the dead.

    The Oriental Institute’s Neubauer Expedition to Zincirli, Turkey in 2008, during which an inscribed funerary monument was discovered, inspired the exhibit. The monument, which dates to about 735 B.C, is carved with an image of a man named Katumuwa seated before a table heaped with offerings and with a lengthy inscription in Aramaic—a language widely used in the ancient Middle East. The text proved to be the longest-known memorial inscription of its type.

    Exhibition at Oriental Institute shows how ancient cultures commemorated the dead
    The original Katumuwa stela, discovered by University of Chicago archaeologists, dates to about 735 B.C. (Rendering and reconstruction by Travis Saul, 2014) [Credit: Oriental Institute Museum]
    Until the discovery of the stela, scholars did not know about the practice of enacting annual sacrifices for the soul of the deceased. The discovery also revealed that the people of Zincirli, located in the ancient Syro-Hittite region of southeastern Turkey, believed Katumuwa’s spirit resided in the monument.

    “The text gave us a whole new understanding of the ancient belief system in eastern Turkey and northern Syria. Although Katumuwa knew that the realm of the dead could be a cruel and lonely place, the rituals he describes that his family would enact on his behalf would give him a happy afterlife,” said exhibit curator Virginia R. Herrmann, PhD’11. Herrmann, now a visiting professor at Dartmouth College, was part of the team that discovered the stela and co-curated “In Remembrance of Me.”

    Exhibition at Oriental Institute shows how ancient cultures commemorated the dead
    Archaeologists Virginia R. Herrmann and Ben Thomas examine the Katumuwa stela
    at Zincirli, Turkey, shortly after its discovery in 2008 during an Oriental Institute
    expedition [Credit: Eudora Struble/Oriental Institute Museum]
    Before the discovery of the stela, it was not understood that, in eastern Turkey and northern Syria, such banquet scenes depicted on other monuments were special pleas to the viewer to make annual offerings of animal sacrifices and grapes or wine. Those offerings were directed not only to the deceased, but also to local gods. The biblical commandment to “Honor your father and your mother, that your days may be long” (Exodus 20:12), is rooted in the tradition expressed by the Katumuwa text.

    The text also revealed that the rituals took place not just at the grave or in the home, but in a private mortuary chapel next door to a temple—exactly the setting where the Katumuwa stela was discovered. The stela itself is in the Gaziantep Museum in eastern Turkey, but a precise facsimile of its front has been produced for the exhibit.

    Exhibition at Oriental Institute shows how ancient cultures commemorated the dead
    This door plaque contains a scene of ritual feasting. (Khafajeh, Iraq, ca. 2600–2350 B.C. OIM A12417) [Credit: Anna R. Ressman/Oriental Institute Museum]
    The exhibit also features a video produced by video artist Travis Saul, MFA’12, in collaboration with Herrmann and her colleague and exhibit co-curator, Oriental Institute Associate Professor David Schloen. It provides background on the site of Zincirli, the discovery of the stela, a recreation of the rituals enacted to commemorate the soul of Katumuwa, and a recitation of the text in Aramaic and English.

    Rituals of remembrance

    Other sections of the exhibit explore how commemoration and communication with the dead was enacted, the importance of banquet scenes, and how the concept of the soul differed in ancient Egypt, Iraq and Israel/Palestine.

    Exhibition at Oriental Institute shows how ancient cultures commemorated the dead
    These vessels were from a funerary ritual, enacted at the time of Tutankhamun’s funeral.
    (Luxor, Egypt, ca. 1327 B.C.) [Credit: Anna R. Ressman/Oriental Institute Museum]
    Artifacts include a stone plaque from Mesopotamia that shows a banquet, an Egyptian wooden model of men preparing food that was thought to provide food eternally for the deceased, and stone schematic human figures that living relatives thought to have contained the soul of the dead. Loaned objects were provided by the University of Pennsylvania’s Museum of Archaeology and the Metropolitan Museum of Art, and include a stela of a woman of a type similar to that of Katumuwa.

    Rituals of remembrance of lost loved ones—from memorial services to Day of the Dead celebrations in Latin America and even the “funeral selfie” phenomenon—continue to be an important aspect of many cultures.

    Exhibition at Oriental Institute shows how ancient cultures commemorated the dead
    This stela shows a deceased man being attended by family members, part of an
    ancestor cult. (Luxor, Egypt, ca. 1295–1069 B.C. OIM E14287)
    [Credit: Anna R. Ressman/Oriental Institute Museum]
    Understanding how the ancients considered and prepared for mortality and worked to preserve the memories of their family members raises questions about how contemporary society contends with these same issues. An epilogue to the exhibit features modern objects of commemoration from many nations, reminding the visitor that rituals that link the living and the dead remain a part of our lives.

    Jack Green, chief curator of the Oriental Institute Museum, said, “In coordinating this exhibit, we found that although death can often be a taboo topic in Western society, there are plenty of examples today that commemorate the dead through festive and colorful celebrations—the Dia de Muertos being just one example.”

    Source: Oriental Institute of the University of Chicago [March 13, 2014]

  • New Ads for NewYork-Presbyterian Feature Special Ops Officer

    New Ads for NewYork-Presbyterian Feature Special Ops Officer

    NEW YORK, NY—As one of the nation’s top academic medical centers, NewYork-Presbyterian Hospital is well known for the latest in innovative clinical research and advanced medical treatments. What was not well understood, however, was the way its doctors, nurses and staff routinely go above and beyond to care for their patients before, during and after surgery. In fact, many people believed quite the opposite was true. This esprit de corps is critical to what these individuals do every day, and has resulted in countless incredible medical outcomes for patients and their families.
    To showcase this remarkable standard of care, Munn Rabôt asked real patients to share their inspiring stories in television commercials for NewYork-Presbyterian as part of the hospital’s “Amazing Things Are Happening Here” campaign, introduced in 2011. To select patients, Munn Rabôt uses a comprehensive screening process where patient cases supplied by the hospital are reviewed, and patients are then interviewed in consideration for the final filming of the ads. In order to truly emotionally engage the viewer with these stories of extraordinary personal and medical care, we use 60-second ads so that these narratives can completely unfold.

    As we’ve learned throughout the duration of the “Amazing Things” campaign, no two stories are the same, and any patient could have an unbelievable experience to share. One such patient we met who had a compelling story was retired Lieutenant Colonel John O’Brien. Now 52, John had served four tours as a Special Operations officer in the Middle East. The recipient of a Purple Heart and a Bronze Star for his service to his country, John is without a doubt an American hero—but not without a cost.
    As John explained during our in-depth interview, the horrors seen during war can leave both the mind and the body ravaged. Over 500,000 United States participants in the Middle East conflicts may suffer from Post-Traumatic Stress Disorder (PTSD), and John O’Brien is one of them. As Munn Rabôt’s CEO, Orson Munn, states, “Many of these individuals are severely wounded, and, while it is not as apparent as a missing limb, having PTSD can be just as crippling and disabling.”
    Confronting the terrors of war—especially when returning home after four tours—takes an entirely new kind of bravery and courage. NewYork-Presbyterian Hospital has been working diligently to pioneer new medical and virtual therapies to help those with Post-Traumatic Stress Disorder. According to Munn, once he heard that the hospital was leading a clinical trial to help returning soldiers cope with PTSD, he “wanted to get the word out” because “these people have served our country to protect our freedom—the least we can do is give them the help they need and the support they deserve.”
    NewYork-Presbyterian will launch five advertisements beginning April 29th accompanied by an online microsite featuring retired Lieutenant Colonel John O’Brien and his medical team, Drs. JoAnn Difede and Judith Cukor. With these unique ads, NewYork-Presbyterian and Munn Rabôt draw awareness to the common biases associated with seeking mental health treatment. Lt. O’Brien unmasks the stigma associated with PTSD treatment—the perception that seeking therapy means you’re “weak.” In the candid, engaging manner that the “Amazing Things” campaign is known for, John explains his struggles with PTSD and his treatment at NewYork-Presbyterian: “[It’s] brought me to a point in my life where I can really start to move on and do the things I want to do.

    About NewYork-Presbyterian Hospital
    NewYork-Presbyterian Hospital ranks #7 on U.S. News & World Report™’s Honor Roll of America’s Best Hospitals. The institution is comprised of two acclaimed medical centers, NewYork-Presbyterian Hospital/Columbia University and NewYork-Presbyterian Hospital/Weill Cornell Medical Center and is affiliated with two Ivy League medical institutions, Columbia University College of Physicians and Surgeons and Weill Cornell Medical College.
    About Munn Rabôt, LLC
    Founded in 1995, Munn Rabôt is a full-service advertising agency based in the Flatiron district of Manhattan. The agency is renowned for its work with clients like the New York Philharmonic, BMW Motorcycles, Bessemer Trust, Citigroup Private Bank, Land Rover of North America, the New York State Department of Tourism and Emory Healthcare, among others.

  • Ted Baker Commissions The Perfect Baker's Dozen

    Ted Baker Commissions The Perfect Baker's Dozen

    A new campaign entitled "A Baker’s Dozen" is launching in Ted Baker stores worldwide on Thursday 18th October 2012, (Ted Baker is a global Men's and Women's fashion brand). The campaign consists of 13 illustrations of artwork, commissioned by Ted alongside the prestigious Association of Illustrators. Each print depicts just one of the things that makes Britain great, including fish & chips, village fates, gardening and the full English breakfast. Each print is one of only 1000, and each has been personally signed and numbered by the artist and will be available to a few fortunate customers. The campaign will also have a web film of the making of A Baker’s Dozen which will be available here to view on the 16th of October. And, yes fellow Torontonians, Ted Baker is opening their first store in Yorkdale Shopping Center very soon I'm told!

    PRESS RELEASETED BAKER COMMISSIONS THE PERFECT BAKER’S DOZEN
    Ted Baker London is proud to announce an exciting collaboration with the prestigious UK-based Association of Illustrators (AOI) to commission ‘A Baker’s Dozen.’ A group of talented artists have created bespoke pieces of artwork, each with a Great British theme, especially for Ted’s loyal customers.
    Amongst the themes represented are fish and chips, drinking tea, village fetes and gardening; all of Ted’s favorite pastimes. The beautiful personally signed prints will be gifted to Ted enthusiasts worldwide who spend over $250 on the new Fall 2012 collections from October 18, 2012. Purchasers will need to be quick; each signed and numbered image is part of a print run of just 1000 to be distributed worldwide. ‘A Baker’s Dozen’ is comprised of thirteen prints, with a fourteenth mini print created for online purchases only.
    Ted has captured the exciting illustration process on film, from the conception of an idea, through to the artists hard at work, and finally to the printing and signing of the pieces. This unique behind-the-scenes film will be available to view at www.tedbaker-london.com

    About Ted Baker London:
    Established in 1988, Ted Baker London has grown from its humble roots as a shirt specialist in Glasgow, to a global lifestyle brand with over 200 locations in Europe, the U.S., Australia, Middle East, Far East and Southeast Asia. No ordinary designer label, Ted Baker offers menswear, womens wear, accessories (and everything in between), and is renowned for its quality and distinctive use of pattern and colour. The brand’s unconventional approach to fashion, irreverent sense of humour and, above all, unswerving attention to detail appeals to style-conscious men and women who trust Ted to deliver that certain something... a little out of the ordinary. www.tedbaker-london.com

    The Association of Illustrators:
    The Association of Illustrators (AOI) is a non-profit trade association with a membership that includes freelance illustrators, agents, clients, students and colleges. Established in 1973, it is the leading body to represent illustrators in the UK and also campaigns for illustrators’ rights, continually working to increase the professional standing of illustrators, commercially and artistically. The AOI works to improve contract content and contracting practice extended to illustrators by commissioners. It publishes a quarterly magazine, ‘Varoom!’ and produces the annual ‘Images’ competition and touring exhibition, now in its 36th year, which celebrates the best in contemporary British illustration.

  • The Hobbit An Unexpected Journey Promo Trailer (Extended HD)

    The Hobbit An Unexpected Journey Promo Trailer (Extended HD)

    Official Trailer for The Hobbit An Unexpected Journey, in theaters December 14, 2012.
    "The Hobbit: An Unexpected Journey" follows title character Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom of Erebor, which was long ago conquered by the dragon Smaug. Approached out of the blue by the wizard Gandalf the Grey, Bilbo finds himself joining a company of thirteen dwarves led by the legendary warrior, Thorin Oakensheild.

    Their journey will take them into the Wild; through treacherous lands swarming with Goblins and Orcs, deadly Wargs and Giant Spiders, Shapeshifters and Sorcerers. Although their goal lies to the East and the wastelands of the Lonely Mountain first they must escape the goblin tunnels, where Bilbo meets the creature that will change his life forever... Gollum. Here, alone with Gollum, on the shores of an underground lake, the unassuming Bilbo Baggins not only discovers depths ofguile and courage that surprise even him, he also gains possession of Gollum's "precious" ring that holds unexpected and useful qualities... A simple, gold ring that is tied to the fate of all Middle-earth in ways Bilbo cannot begin to know.

    The Hobbit Stars:
    Ian McKellen, Martin Freeman, Cate Blanchett, Orlando Bloom, Ian Holm, Christopher Lee, Hugo Weaving, Elijah Wood, Andy Serkis, Richard Armitage, Jed Brophy, Adam Brown, John Callen, Stephen Fry, Ryan Gage, Mark Hadlow, Peter Hambleton, Stephen Hunter, William Kircher, Sylvester McCoy, Bret McKenzie, Graham McTavish, Mike Mizrahi, James Nesbitt, Dean O'Gorman, Lee Pace, Mikael Persbrandt, Conan Stevens, Ken Stott, Jeffrey Thomas, Aidan Turner.

    Via: Warner Bros. Pictures